The spell was broken by a shout, deep-toned and mighty, from a hundred warriors' throats. A third of the band leaps up, and, with spears poised aloft, marches straight and compact to the further end, turns about and retreats to its place. But ere the foremost are within touch of their companions another third springs up and joins them, and together they repeat the manoeuvre. Another shout and the whole body is in motion. The earth trembles with its tramp; the rattle of its stiff trappings drowns the whine of the singers. This time they do not return. The first rank is within a pace of the line of spectators when the leader--he of the war-fan--gives the signal. They are down now, with bodies bent low, and spears poised for stabbing or hurling. Their legs are like bent springs, so lightly they leap as they take open order. The leader flirts his huge fan, and runs swiftly up and down, shouting orders that need never have been shouted. For every movement, of body, head, arm or foot, is executed as if one wire moved the whole two hundred. They pursue, they flee, they stab a fallen enemy, they dodge his blows by a sideways jerk of the head, they run at topmost speed, and the earth shakes at the tramp of their running, though they do not advance an inch, and their running feet strike always in the same spot. Their eyes blaze and their teeth grin with fury, the sooty sweat courses down their skin, the loops of stiff drapery clash about them. In other dances some luckless dancer commits a fault not to be detected by European eyes, and excites the loud derision of the spectators, but here all the dancers are perfect in their parts and the crowd is awed by the verisimilitude of the piece. At the outset a few ribald spirits of the coast tribes applauded the terrific appearance and gestures of the warriors in obvious irony, but presently, when the play seemed to settle to sober earnest, a fearful silence fell upon them all. The evolutions of the dancers gave occasion. Retiring step by step before an imaginary foe to the further end of the square, they would dash forward in compact phalanx upon the bank of spectators, checking their onset with a suddenness that seemed to defy the laws of momentum. If this was but the image of war, surely the reality must be less terrible. To sit still unarmed while two hundred untamed devils charge over one with their stabbing-spears is not courage, but foolhardiness--so, at least, thought the men of Mbua who faced the dance. And so, when the grass was strewn with the fragments of the trappings, and the dancers were struck to stone in the midst of their most furious onslaught, the solid bank of spectators broke and fled. Only when the warriors had walked tamely off to add their finery to the heap of presents did they begin to slink back one by one, looking the more foolish for their heroic efforts to join in the laugh against themselves. The Solevu in Decay [Illustration: A War Dance.]