Capitalists and financiers -- Fiction; Psychological fiction
Mamie Calligan was not good-looking, not nearly as good-looking as her
mother had been before her. Mrs. Calligan was still plump, bright, and
cheerful at fifty, with a fund of good humor. Mamie was somewhat duller
mentally and emotionally. She was serious-minded—made so, perhaps, as
much by circumstances as by anything else, for she was not at all
vivid, and had little sex magnetism. Yet she was kindly, honest,
earnest, a good Catholic, and possessed of that strangely excessive
ingrowing virtue which shuts so many people off from the world—a sense
of duty. To Mamie Calligan duty (a routine conformity to such theories
and precepts as she had heard and worked by since her childhood) was
the all-important thing, her principal source of comfort and relief;
her props in a queer and uncertain world being her duty to her Church;
her duty to her school; her duty to her mother; her duty to her
friends, etc. Her mother often wished for Mamie’s sake that she was
less dutiful and more charming physically, so that the men would like
her.
In spite of the fact that her mother was a dressmaker, Mamie’s clothes
never looked smart or attractive—she would have felt out of keeping
with herself if they had. Her shoes were rather large, and ill-fitting;
her skirt hung in lifeless lines from her hips to her feet, of good
material but seemingly bad design. At that time the colored “jersey,”
so-called, was just coming into popular wear, and, being close-fitting,
looked well on those of good form. Alas for Mamie Calligan! The mode of
the time compelled her to wear one; but she had neither the arms nor
the chest development which made this garment admirable. Her hat, by
choice, was usually a pancake affair with a long, single feather, which
somehow never seemed to be in exactly the right position, either to her
hair or her face. At most times she looked a little weary; but she was
not physically weary so much as she was bored. Her life held so little
of real charm; and Aileen Butler was unquestionably the most
significant element of romance in it.
Mamie’s mother’s very pleasant social disposition, the fact that they
had a very cleanly, if poor little home, that she could entertain them
by playing on their piano, and that Mrs. Calligan took an adoring
interest in the work she did for her, made up the sum and substance of
the attraction of the Calligan home for Aileen. She went there
occasionally as a relief from other things, and because Mamie Calligan
had a compatible and very understanding interest in literature.
Curiously, the books Aileen liked she liked—_Jane Eyre, Kenelm
Chillingly, Tricotrin_, and _A Bow of Orange Ribbon_. Mamie
occasionally recommended to Aileen some latest effusion of this
character; and Aileen, finding her judgment good, was constrained to
admire her.
Public-domain text, read in full here on John Shaqi.
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