A few minutes later Malcourt, becoming bored, genially took his leave;
and Hamil turned on an electric jet and began to undo his collar and
tie.
He was in no hurry; at times he suspended operations to pace aimlessly
to and fro; and after a while, half undressed, he dropped into an
arm-chair, clinched hands supporting his temples.
Presently he said aloud to himself: "It's absolutely impossible. It
can't happen this way. How can it?"
His heavy pulse answered the question; a tense strain, irksome as an
ache, dragged steadily at something within him which resisted; dulling
reason and thought.
For a long time he sat there inert, listening for the sound of her voice
which echoed at moments through the stunned silence within him. And at
last he stumbled to his feet like a stricken man on the firing line,
stupefied that the thing had happened to _him_; and stood unsteadily,
looking around. Then he went heavily about his dressing.
Later, when he was ready to leave his room, he heard Malcourt walking
through the corridor outside--a leisurely and lightly stepping Malcourt,
whistling a lively air. And, when Malcourt had passed came Cecile
rustling from the western corridor, gay, quick-stepping, her enchanting
laughter passing through the corridor like a fresh breeze as she joined
Mrs. Carrick on the stairs. Then silence; and he opened his door. And
Shiela Cardross, passing noiselessly, turned at the sound.
His face must have been easy to read for her own promptly lost its
colour, and with an involuntary recoil she stepped back against the
wall, staring at him in pallid silence.
"What is the matter?" he asked, scarcely recognising his own voice. And
striving to shake off the unreality of it all with a laugh: "You look
like some pretty ghost from dreamland--with your white gown and arms and
face. Shall we descend into the waking world together?"
They stood for a moment motionless, looking straight at one another;
then the smile died out on his face, but he still strove to speak
lightly, using effort, like a man with a dream dark upon him: "I am
waiting for your pretty ghostship."
Her lips moved in reply; no sound came from them.
"Are you afraid of me?" he said.
"Yes."
"Of _me_, Shiela?"
"Of us both. You don't know--you don't know!"
"Know what, Shiela?"
"What I am--what I have done. And I've got to tell you." Her mouth
quivered suddenly, and she faced him fighting for self-control. "I've
got to tell you. Things cannot be left in this way between us. I thought
they could, but they can't."
He crossed the corridor, slowly; she straightened up at his approach,
white, rigid, breathless.
"What is it that has frightened you?" he said.
"What you--said--to me."
"That I love you?"
"Yes; that."
"Why should it frighten you?"
"Must I tell you?"
"If it will help you."
"I am past help. But it will end you're caring for me. And from making
me--care--for you. I must do it; this cannot go on--"
"Shiela!"
Public-domain text, read in full here on John Shaqi.
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