The First of the English: A NovelGunter, Archibald Clavering
History
The First of the English: A Novel
Gunter, Archibald Clavering
Historical fiction; Netherlands -- History -- Eighty Years' War, 1568-1648 -- Fiction
“Get me papers to Amsterdam.” This is the first place that comes into
Guy’s head.
“Very well, they shall be obtained. But,” adds the merchant nervously,
“without a charter it would look very suspicious!”
“I’ll get you the charter,” cries Guy, a sudden idea flashing through
his brain.
“From whom?”
“From your fellow patriot, Bodé Volcker.” This is in his ear.
“Good God! You know—”
“Yes, arquebuses, packed in lace, that is not a fine—but death,”
whispers Guy. “Fill out an order for charter to Amsterdam.”
And the merchant, sitting down to write this, Chester admires him—for
patriot Jan Olins’ handwriting is as firm and regular as commercial
copper-plate.
“Get the papers through the custom house at once,” whispers Guy.
Then hurrying to his ship once more he dives into his cabin to reappear
a few moments after, rearrayed not as Andrea Blanco, merchant mariner,
but as Guido Amati, the dashing soldier of Spain, for he judges this
the best guise in which to have his interview with ex-Burgomaster Bodé
Volcker.
At the merchant’s warehouse he is disappointed to find that Niklaas is
still at his home upon the Meir. Making his way there a sudden idea
comes to him, that he can do this business better as debauchee
spendthrift than in any other guise. He will come apparently as spy for
bribe; he will demand gold, but get charter papers.
Willing to play ignoble role for such result, he tosses about his hair,
disheveling it, slouching his hat over his eyes and assuming the gait
of partial drunkenness, he continues his way to the Bodé Volcker
mansion and enters the business portion of the house.
A number of clerks are there, the general routine of the office is
going on quite briskly. Here he is received most obsequiously by bowing
clerk, who asks almost tremblingly his name and desires—for these
Spanish soldiers of fortune were quick with blow of hand or knife to
Flemish townsmen. Demanding word with Bodé Volcker, he is shortly shown
into that gentleman’s private office next his counting room.
Here, with well-assumed drunken leer and one or two suggestive
hiccoughs, he closes and locks the door, the merchant gazing at him in
astonishment, perhaps alarm, for Guy’s appearance, with matted, tossed
about hair, and rolling eyes, a strange excitement in them, brought
about by his desperate situation, gives him the look of having just
risen from a late and prolonged debauch.
“Yer know me—y’know me—I’m—I’m Major Guido A—Amati, o —er—Romero’s
foot,” hiccoughs the pseudo Spanish roisterer.
“Yes, I—I had the honor of seeing you at my house once, Captain Amati.”
“Major—Major Amati de Medina—don’t you forget th’ De Medina. Sit—sit
down and—hic—sign this!” And Guy presses the merchant into his chair
from which he has half risen, and slaps in front of him the charter
paper.
“What—what is this?” stammers Bodé Volcker.
Public-domain text, read in full here on John Shaqi.
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