The First of the English: A NovelGunter, Archibald Clavering
History
The First of the English: A Novel
Gunter, Archibald Clavering
Historical fiction; Netherlands -- History -- Eighty Years' War, 1568-1648 -- Fiction
“What need of such long testament?” asks Guy, who has looked upon the
scene astonished, Miss Hermoine, giving him new views of her character.
“Because I don’t trust her,” answers the girl. “It will be cunning
priest that will get her out of that. Break it and your soul flies
straight through purgatory to unending torment, Countess de Pariza.”
“I—I always thought you loved me,” gasps the duenna, rising from her
knees.
“Loved you?” ejaculates her charge, a strange light in her eyes. “Dost
think I have forgotten when I was twelve years old you slapped my ears?
Don’t think I fear you, though! Let that be for your Moorish slave girl
who goes to your dressing closet as to the torture chamber. I heard her
shriek under your scourge the other morning. But don’t dare, with
coward nature, to revenge yourself on her. Beware of me, I hate
cruelty! I am Alva’s daughter!”
At this astounding conjunction Guy bites his lips, fighting down a
smile and Doña de Pariza gives out a half-smothered chuckle.
But the girl steps up to her and cries: “Don’t dare to look as if you
jeered my father’s name; don’t dare to accuse him of cruelty. He has
always been good to me as an angel. I’ll not hear it from your lips—or
YOURS EITHER!” for a little of Guy’s smile has escaped from him, and
she comes walking up to her lover with haughty face, saying: “Remember,
I am a Viceroy’s daughter.”
“Penalty!” laughs Chester.
“Oh yes—oh—oh—I forgot! Yes, my lord!” and making obeisance to him. As
he exacts the forfeit she whispers: “Oh Santos! you are awful—you kiss
me every chance you get.”
At this scene Duenna de Pariza glares astounded, and mutters to
herself: “God be praised, Miss Spitfire has at last found her master!
This worthless, dissipated Guido Amati will make her dance to his
fiddling, I warrant you!” then goes to her chamber, leaving the two
alone, at which they are nothing loath.
Could La Pariza gaze in upon them one moment later she would be even
more astounded, for she would see Colonel Guido Amati giving Miss
Hermoine a little lecture upon the advantages of keeping both temper
and tongue well in hand.
To this the girl listens attentively with downcast eyes in a manner
that rather astonishes but intensely delights Guy, as he has now made
up his mind that there is only one way to gain this lady of his
love—that is to carry her off; and to do that he feels he must dominate
her completely, entirely.
But continuing this lecture a little too long, she suddenly cries:
“Bug-a-boo! Bug-a-boo! Viceroy’s daughter!” and dances up laughing. And
he, pursuing her, to exact penalty; they have a merry race of it about
tables and chairs and over divans, Hermoine gathering up her long court
train and fleeing with dainty feet and agile ankles before him, until
at last he catches her at the third curtained arch of the room, one
whose drapery he has never yet seen raised.
Public-domain text, read in full here on John Shaqi.
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