The First of the English: A NovelGunter, Archibald Clavering
History
The First of the English: A Novel
Gunter, Archibald Clavering
Historical fiction; Netherlands -- History -- Eighty Years' War, 1568-1648 -- Fiction
Then as Guy is wrapping the cloak about her, each touch a caress, she
adds significantly; “I shall spend a month or two in Brussels, but if
Major Guido Amati de Medina asks for leave from the Middelburg
garrison, he will doubtless get it. Though don’t, for sight of me,
neglect the duties of your post. Remember, my Guido, that every step
you take in the army brings you nearer to the church door where a bride
awaits you—whom you have made forget she is the daughter of a Viceroy!”
“Penalty!” mutters Guy, and takes this kiss very solemnly, for already
the murmur of the approaching crowd tells of the coming father.
At this the young lady says, with a delicious moue: “How doleful! One
would think you an unsuccessful suitor! But your message by Oliver
spoke of danger,” and there is a tremor in her voice.
“Yes, I must have the word of the night to pass the sentries. I must
leave this evening.”
“Of course to be in Middelburg when your commission arrives. I have
thought of that and brought it with me.” With this she hands him a
little paper.
It reads:
THE WORD IS “SANTA CRUZ.”
COUNTERSIGN “DON FREDRICO.”
As he glances at this, she smiles in his face: “I’ve half a mind not to
give it to you—not to let you go. What brought my rash young officer to
Antwerp without leave?”
“You.”
“Oh!”
“And for you I’d come again a thousand times. I was going to the
Drowned Lands duck shooting, when, by the blessing of God, I saved you
from the Beggars of the Sea, my own—my prize.” And knowing that every
chance of this earth is against his wearing as his bride this
sweetheart he has won, Guy’s face is drawn and contorted with the agony
of a parting that is to him like death. Sadness is catching as well as
love, and the girl gets to sighing and sobbing under his farewells that
are so solemn—though she can’t guess why.
But Oliver, with rattling door-latch, cries: “The Countess de Pariza is
already in the carriage. Quick!”
Then Guy, seeing his time has come, though his sweetheart would linger
longer, and begins to cling to him with little sighs of love, hurriedly
assists her to the carriage and puts her in.
Half turning round, his affianced holds up her white finger to him.
Upon it glistens the ring of his love.
The postilions crack their whips, the state vehicle flies through the
arch, and all that he has to remind him of the woman who was but now in
his arms, is the memory of her kisses, her ruby ring upon his finger,
and a little document that bears the talisman that will make him safe
from her father’s sentries at the gates.
CHAPTER VIII.
“THE UNGAINABLE!—BUT I’LL GAIN HER!”
“Look,” says the painter, leading the way to a window opening on the
street.
And Guy, from the curtains of Bodé Volcker’s house, sees the man of the
death’s face, before whom the crowd cower and tremble, bow to his
saddle-bow before the coach of his daughter, his face illuminated by
the proud eyes of father’s love.
Public-domain text, read in full here on John Shaqi.
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