Bildungsromans; Norway -- Fiction; Young women -- Fiction
Thus occupied, before he was aware of it, Petra had once more become
the constant occupation of his mind, but with a DIFFERENT object. He
studied art from every point of view, and especially artists, most of
all, the artists of the stage. He saw much to appall a Christian, he
saw the enormous abuses, but did he not see the same around him, even
in the church itself? Though there were hypocritical ministers, the
calling was still the same, great, eternal. If the search after truth
wherever begun, gains power in life and poetry, should it not also
reach the stage? Having assured himself on this point, he was glad to
see from Signers letters, that Petra was developing her mind, and that
Signe was the right one to help her. And now he had returned to see and
thank the gentle guide, who knew not herself what she was to him.
But he had also come to see Petra again. How far had she got now? The
word had been spoken, he could therefore talk freely with her about it;
this was a relief to both, for thus they spoke not of the past.
In the meantime they were interrupted by guests from town, invited and
uninvited! The affair was already so far advanced, that a single well
employed opportunity must make all clear,--and this the guests brought
with them. A large party was invited to meet them, and when after
dinner, the gentlemen were together in the study, the conversation
turned upon the stage; for a chaplain had seen a work on Christian
ethics open upon the dean's table, and his eye had caught the appalling
word: Theatre. This led to a hasty discussion, in the midst of which
the dean entered; he had not been present at dinner, having been called
away to a dying bed; he was very serious, and neither ate, nor took any
part in the conversation; but he filled his pipe and listened. As soon
as Odegaard observed this, he joined in the conversation himself, but
for a long time he tried in vain to explain his views, for the chaplain
had a habit of exclaiming every time a link in the chain of evidence
was about to be adduced: "I deny it!" and then that which was about to
be a proof, must itself be proved; consequently the matter was always
going backwards; from the theatre, they had already passed to
navigation, and now to get something proved in that, they were just
going over to agriculture.
This was too much, so Odegaard elected himself chairman. There were
several ministers present besides the chaplain, there was also a
captain, a little swarthy man, with an immense abdomen, and a pair of
small legs that went stumping one after the other. Odegaard called upon
the chaplain to state his objections to the theatre. He began:
Public-domain text, read in full here on John Shaqi.
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