India -- History -- 1000-1526 -- Fiction; Man-woman relationships -- Fiction; Reincarnation -- Fiction
El-Islam, life to the true Arabian, was, by degrees, deserting the
captive. How should he maintain a religion that taught moderation in
all things, duty to the master, forbearance from intoxication? Ahalya,
whose mother, in her long captivity, had lost her own beautiful Magian
religion, and who had herself been brought up a Hindoo, had, like
many Indian women of station, taken the god Krishna, lord of beauty,
romance, and love, for her special deity. And some of the pretty
ceremony and graceful superstition of her half-doubtful beliefs had
woven themselves like an evil web around Fidá’s brain. Often, during
their quiet hours, Ahalya used to sing to her lover parts of the great
Indian Song of Songs—the wooing of Krishna and Radha. And her voice,
and the smooth-flowing poetry of the words, charmed him into new
forgetfulness of the sterner western creed. The story was well fitted
to their state. As Ahalya sang, he loved to call her Radha; and if she
delighted in him as the incarnation of her too well worshipped god, her
lover saw in it no sacrilege. But in this way his prayers grew strange
to him; and he became in some sort a pagan, unworthy of any god.
There was but one pursuit left in which they found an honest pleasure.
Both of them loved the boy, Bhavani, whom, in different ways, each was
instructing in a primitive code of manhood and chivalry. The child had
taken so strong a fancy to Fidá that his father, perfectly confident of
the Asra’s fitness for the position, began more and more to surrender
him as cup-bearer in order that he might attend his son. And Fidá,
finding the child truthful, obedient, and affectionate, took a genuine
pride in instructing him in all that he knew. There were times, indeed,
when the man, brought into close contact with young innocence and
instinctive honor, was drawn to a certain unavoidable sense of guilt;
and this same thing Ahalya felt, when, in accordance with the young
prince’s wishes, she rehearsed with him, in their old way, the dramatic
epics of ancient Indian heroism and self-sacrifice. And so much alike
had the minds of the lovers become, that the young Bhavani, imbibing
from each the same often identically expressed principles, came by
degrees to connect the two in his mind; perhaps even, with a child’s
intuition, guessing something of their position, though unconscious of
its sin.
Public-domain text, read in full here on John Shaqi.
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