The Flaming Sword in Serbia and ElsewhereStobart, M. A. (Mabel Annie)
History
The Flaming Sword in Serbia and Elsewhere
Stobart, M. A. (Mabel Annie)
World War, 1914-1918 -- Hospitals; World War, 1914-1918 -- Personal narratives
All through the spring and summer the hedges had been gay with flowers
in wedding colours, but now they were covered with the black-seeded
booryan plant (something like dwarf elder when in flower). Here and
there the yellow rag-wort alternated with the booryan, in a passing
scheme of black and yellow, or the delicate blue chicory flower made a
brave show on the roadside; but the main impression now was blackness:
the hedges were already in mourning for the sights they soon would
witness.
We lunched under some trees, three-quarters of an hour from Rudnik, and
arrived at noon. The long grass in the school enclosure had been cut as
promised--Serbian officials never fail to carry out their promises--and
by 6 p.m. the camp was established. The Prefect welcomed us on
arrival, and placed everything we could want at our disposal.
This unit was especially fortunate in its surroundings, their tent
doors opened to a georama of mountains and valleys which seemed to
stretch to Infinity and to include all the kingdoms of the world and
the glory of them. Mountains did not hide mountains, for we were on
the heights, 2,000 feet above sea-level. Ruins of an old fort on the
kopje of Ostavitza, a few kilometres distant, a reminiscence of Turkish
history, gave the only touch of human reality. The sunset that evening
ignored its usual levantine limitations, and ran riot in flaming
colours of red, and gold, and nameless greens, all over the heavens: a
chord of Nature in the major key; and in antiphon, the mountains gave
response, in colours reflected from heaven and earth and all that in
them is.
Later, when work for the day was finished, and I lay on my camp
bed--the tent doors open--gazing into the black curtain of night,
trying to see things that were invisible, the moon came sailing through
the sky, tacking in and out of banks of storm clouds. Her wireless was
as usual in minor mode. "Joy and colour are ephemeral," was her code
message. "Beauty is death, and death is shade and sorrow. The shade of
a long night draws near. The dews of death are in the air."
I was going to dispute with her, but she abruptly hid behind a
thunder-cloud. An owl in a beech tree hooted; a gust of wind sent
a shiver through the plum trees, and I remembered the stirring in
the mulberry trees--the warning to David of the coming enemy; a
rumbling, like a cannonade, echoed through the mountains; a clap like
the bursting of a thousand bombs boomed overhead--Thor's guns, more
merciful than man's--then immediately came a fall of rain, fierce,
precipitous, as though the dams of heaven had burst; lightning, like a
fiery sword, striking an unseen enemy; then a hush, as sudden as the
onslaught, and a quiet night.
Public-domain text, read in full here on John Shaqi.
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