The Fleet: Its Rivers, Prison, and MarriagesAshton, John
History
The Fleet: Its Rivers, Prison, and Marriages
Ashton, John
Fleet Prison (London, England); Fleet, River (England)
But enough of the miserables in connection with the Fleet Prison. We
shall find that it is even possible for a prisoner to write pleasantly,
nay, even somewhat humorously, upon his position, as we may see by the
perusal of a poem entitled "The _Humours_ of the Fleet. An humorous,
descriptive Poem. Written by a Gentleman of the College" &c., Lond.
1749. Under the frontispiece, which represents the introduction of a
prisoner into its precincts, is a poem of thirty-two lines, of which
the following is a portion:--
THE DEBTORS' WELCOME TO THEIR BROTHER.
[Illustration: music]
Wel-come, wel-come, Bro-ther Debt-or, To this poor but mer-ry
place, Where no Bay-liff, Dun, or Set-ter Dare to shew their fright-ful
face. But, kind Sir, as you're a Stran-ger, Down your Gar-nish you must
lay, Or your Coat will be in Danger,--You must ei-ther strip or pay.
[Illustration]
[Illustration]
Here we see, very vividly depicted, the introduction of a new prisoner;
the Chamberlain is introducing him to the Cook, whilst the Goaler and
Tapster seem, already, to have made his acquaintance.
The notes appended to the Poem are in the original.
After a somewhat long exordium on prosperity and poverty, together with
the horrors of a spunging-house, and imagining that the debtor has
obtained his _Habeas_, which would permit him to choose his prison, the
Poet thus sings:
"Close by the Borders of a slimy Flood,
Which now in secret rumbles thro' the Mud;
(Tho' heretofore it roll'd expos'd to Light,
Obnoxious to th' offended City's Sight.)[114]
"Twin Arches now the Sable Stream enclose
Upon whose Basis late a Fabrick rose;
In whose extended oblong Boundaries, }
Are Shops and Sheds, and Stalls of all Degrees, }
For Fruit, Meat, Herbage, Trinkets, Pork and Peas }
A prudent City Scheme, and kindly meant;
The Town's oblig'd, their Worships touch the Rent.
Public-domain text, read in full here on John Shaqi.
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