The floral symbolism of the great mastersHaig, Elizabeth
Religion
The floral symbolism of the great masters
Haig, Elizabeth
Flowers -- Symbolic aspects
[69] British Museum.
[70] Dante.
[71] In France at the same period it was very usual to place a
‘fleur-de-lys’ in the Madonna’s hand. For instance, the beautiful
statuette in silver gilt of the early fourteenth century, now in the
Louvre, carries a ‘fleur-de-lys’ of crystal in the right hand.
[72] The Prado, Madrid.
[73] Private apartments, Pitti Palace, Florence.
[74] Uffizi, Florence.
[75] An exception is the Assumption by Fungai in the Belle Arti
of Siena, where white roses and red carnations fill the tomb. The
prejudice appears to have been against the red rose.
[76] Kunst Museum, Bern.
[77] ‘The Key’ of Saint Melitus.
[78] ‘Hortulus,’ Walafrid Strabo.
[79] ‘Spiritual Grace,’ Saint Mectilda.
[80] The Wisdom of Solomon ii. 8.
[81] _Passio S.S. Jacobi, Mariani et aliorum martyrum in Numidia._
[82] _Sensations d’Italie._
[83] S. Maria Novella, Florence.
[84] The Brera, Milan.
[85] _Legenda Aurea._
[86] Prado, Madrid.
[87] Ghent Cathedral.
[88] _Paradiso_, xxx. 114.
[89] _Ibid._ 121.
[90] 2 Esdras ii. 18–19.
[91] Written by the monk Dionysius of Mount Athos in the twelfth
century. Translated by M. Didron.
[92] Adoration of the Lamb, Ghent Cathedral.
[93] Florence.
[94] Ruskin, _Modern Painters_.
[95] Town Museum, Frankfort-on-the-Maine.
[96] The Song of Solomon ii. 2.
[97] Museum, Verona.
[98] _Rat. Off._, iii. 18.
[99] _Trésor_ of Aix la Chapelle.
[100] Arthur Martin, _Mélanges d’Archéologie_.
[101] Opera del Duomo.
[102] Isaiah xi. 1–2.
[103] _Christian Iconography_, Didron.
[104] Ghent Cathedral.
[105] Uffizi Gallery.
[106] _Christian Iconography_, Didron.
[107] Kaiser-Friedrich Museum, Berlin.
[108] Uffizi Gallery.
[109] St Petersburg.
[110] Tiefenbronn Church.
[111] Wallraf-Richartz Museum, Cologne.
[112] Sophocles, _Œdipus Coloneus_.
[113] Smith’s _Classical Dictionary_.
[114] _De Baptismo_, c. viii.
[115] See title-page.
[116] Northcote and Brownlow, _Roma Sotterana_.
[117] Palazzo Pubblico, Siena.
[118] Taddeo di Bartolo, Sano di Pietro, Francesco di Giorgio Martini,
Belle Arti, Siena.
[119] No. 160, Belle Arti, Siena.
[120] Stefano di Giovanni, Belle Arti, Siena.
[121] _Trésor_ of Aix la Chapelle.
[122] _Trésor_ of the King of Bavaria.
[123] Milton.
[124] ‘The Nativity,’ National Gallery.
[125] ‘The Nativity,’ Belle Arti, Siena.
[126] Collection L. Mond, London.
[127] Durandus, _Rat. Off._, vi. 47–9.
[128] Ecclesiasticus xxiv. 14.
[129] _Lives of the Painters._
[130] Corsini Gallery, Florence.
[131] Monza.
[132] Palazzo Pubblico, Siena.
[133] Uffizi, Florence.
[134] Munich.
[135] Private apartments, Pitti Palace.
[136] Nierenberg.
[137] Mantegna, Belle Arti, Verona.
[138] Botticelli, Poldi Pezzoli Collection, Milan.
[139] Botticelli, Borghese Gallery, Rome.
[140] Museo Provincial, Seville.
[141] Collection of the Duchess of Fife.
[142] Royal Gallery, Augsburg.
[143] Sassoferrato, Church of S. Sabina, Rome.
[144] Accademia, Florence.
[145] Uffizi, Florence.
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