The floral symbolism of the great mastersHaig, Elizabeth
Religion
The floral symbolism of the great masters
Haig, Elizabeth
Flowers -- Symbolic aspects
Among the symbolical flowers of art, the golden fleurs-de-lys of France
hold a high position. They were the arms of the King of France, ‘the
eldest son of the Church’; they were borne by Saint Louis, the royal
saint, and are typical of Christian royalty. Till the reign of Henry
VIII they appeared upon the royal banner of England. Their origin,
however, in spite of latter-day legends, was non-Christian, nor are
they distinctively lilies. The learned M. de Beaumont, who has made a
special study of the origins of the fleur-de-lys, or fleur-de-lis, as
he prefers to spell it, has thus summed up his researches:
1. Armorial bearings did not commence in France till after the first
Crusade.
2. It was in imitation of the Arabs and Persians that chivalry,
tourneys and coats of arms were adopted in Europe and France.
3. This flower, which we name the fleur-de-lis, is the symbol of
fecundity and royalty in ancient Egypt; it is also the sacred plant
and tree of life, adopted with the same symbolical significance by the
Assyrians and Persians, from whom it passed to Byzantium, to arrive at
last in the Teutonic countries bordering on the East. It came at the
same time to the Venetians, and the Lombards, the Spaniards and the
French, and this significant form ornamented sceptres and crowns, the
attributes of royalty.
4. When the laws of heraldry were at last established in France, after
the Crusades, this symbol became the arms of the Kings of France, who
entitled themselves _rois par excellence_. Later, the origin being
forgotten and lost, the Celtic root of the word _li_ was ignored by
the heralds. They regarded this symbolical ornament as the _lilium_
or garden lily, in itself a symbol of the Virgin, which for the most
Christian Kings of France must have been a powerful motive for its
adoption. Perhaps even a religious scruple may have been the cause
of this transformation of the heathen into the Christian symbol. It
was not till then that the heraldic writers, the greater part of whom
belonged to the Church, forced themselves to recognize in the heraldic
fleur-de-lys the form of the lilium, even though, in place of being
_or_ upon _azur_ and having three petals, it ought in that case to have
five petals and appear in _argent_.[172]
The monkish heralds found a very elaborate symbolism in the royal
shield of France. The lilies were of gold, not silver, because in
heraldry gold signifies the four kingly virtues, nobility, goodwill,
charity and magnanimity.
They are three in number because this number is complete as is the Holy
Trinity.... Also, the centre one signifies the Christian faith, that on
the right the clergy, that on the left the army. There was no end to
the hidden meanings.
Public-domain text, read in full here on John Shaqi.
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