The floral symbolism of the great mastersHaig, Elizabeth
Religion
The floral symbolism of the great masters
Haig, Elizabeth
Flowers -- Symbolic aspects
‘_Enfin_,’ concludes Carlo Degrassalio of Carcassonne, ‘_ces trois
fleurs-de-lis d’or sont sur un écu d’azur, parceque, de même que Dieu,
le roi des rois, la puissance des puissances, a en quelque sorte pour
écu le bleu firmament, resplendissant d’astres d’or; de même le roi
de France, fils aîné de l’Eglise, porte pour la plus grande gloire du
Christ, l’écu le plus noble, écu sur lequel les lis d’or brillent comme
les astres sur un ciel serein._’[173]
Tradition says that the first appearance of the fleur-de-lys upon this
earth was at the baptism of King Clovis. King Clovis was married to
Clotilda, a Christian Princess of Burgundy, and her prayers having
obtained the victory for France at a critical moment, he in gratitude
became a Christian also. On the occasion of his baptism by Saint Rémi
an angel presented him with three heavenly lilies.
In the Bedford Missal,[174] presented to Henry VI when he was crowned
King of France, the legend is illustrated in miniature. The angel is
shown receiving the three lilies in Heaven. He descends to earth and
carries them to Saint Rémi, who reverently receives them in a napkin
and gives them to Queen Clotilda. Lower down in the picture Clotilda
presents the emblazoned shield bearing the three fleurs-de-lys to
her husband. This legend might seem disproved by the decoration of
fleurs-de-lys, which was already upon the great brazen bowl now in the
Louvre, known as the Font of King Clovis, had not recent archæological
investigation discovered the origin of the bowl to be neither Frankish
nor Christian, and the fleurs-de-lys prove merely that the vessel was
designed for royal use.
The confusion of the fleur-de-lys with the lily of Heaven and the
flower of the Virgin gave it a semi-religious value, which excused
its intrusion into the decoration of churches and church furniture.
Sometimes it was used entirely heraldically, as the indication of
the giver of a gift. It is used heraldically upon the silver shrine
of Saint Simeon at Zara, the gift of Louis the Great and his wife,
Elizabeth, where the fleur-de-lys of the coat of arms is repeated
throughout the entire decoration. Heraldically, yet with some sense
of the right placing of the flower which emblemizes purity, were the
fleurs-de-lys embroidered with the word _amor_ upon the tiny shoes
of the _Virgin de los Reyes_. The figure, which is still in Seville
Cathedral, was a gift from Saint Louis of France to his brother saint,
Ferdinand of Spain.
Public-domain text, read in full here on John Shaqi.
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