The Florentine Dagger: A Novel for Amateur DetectivesHecht, Ben
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The Florentine Dagger: A Novel for Amateur Detectives
Hecht, Ben
Detective and mystery stories; Insanity (Law) -- Fiction; Murder -- Fiction; New York (N.Y.) -- Fiction
“One chance. One chance it wasn’t I. All this convinces me. Yes,
everything he says points to me, inasmuch as it completely exonerates
her. But there’s still one chance....”
The doctor’s question wakened him to the man.
“Yes,” he answered, “I follow you ... entirely, Hugo. Go on. There are a
few more details.”
“A case of stubborn prejudice that surprises me—in you, Julien,” the
scientist remonstrated quietly. “For the sake of an emotional conviction
you choose to ignore utterly the logic of the thing. The confession. The
dovetailing of every bit of evidence. It doesn’t require much
imagination to see Florence Ballau, alias Floria, preparing the
camouflaged room after the killing. The cunning instincts of a
half-maniac—to divert suspicion from herself. In fact, she remembers
finding the beard in an old trunk—in the trunk which contained her
mother’s effects. A beautifully conceived impulse, her first one, that
of glueing the Vandyke to his chin. But ruined by her indecision. For
after she had placed it there, the strange look of the man bewildered
her and she tore it off and forced it into his fingers. She reasoned, as
she did so, that if he held the false beard in his hand it would appear
as if he had torn it from someone else’s face—and therefore seem as if
he had been attacked by a disguised man. But her first impulse was
infinitely better. I mention it merely as one of those little things
which always rise to prove the superiority of intuition over reason. The
beard pasted on his face would have been a successful mist over the
crime. Consistent, impenetrable and so on. But the beard torn from his
face was too obvious a clew. It confused Norton and us, but even without
Miss Ballau’s confession it would have eventually given us the correct
lead.”
“You sound a bit unconvinced on that point,” De Medici murmured in an
abstracted voice, “but I’ll let it go.”
“Yes,” growled Dr. Lytton, “thanks. But the final proof comes now. I
return to Jane, the housekeeper. In her youth Jane was a close friend of
the mother. Jane is a simple-minded woman and her sympathies were
entirely with Florence. She, too, remembered the abuse that Victor
Ballau heaped on her mother, and in her own simple way understood the
mania that operated the thoughts of the daughter. After the murder Jane
helped Florence prepare the scene, dispose of the evidence—you remember
the clumsy attempt at concealing the dress on the fire escape. Also the
incident of Florence directing the attention of the police to the fire
escape. You told me this yourself. This little point itself shows that
there were two minds that camouflaged the scene—that Florence was
unaware Jane had hidden the dress outside the window.
“There,” concluded Dr. Lytton, “you have the crime in full as Miss
Ballau confessed it, as I unraveled it and as I wrote it down, and as
she signed it before we got on the train at Rollo this afternoon.”
Public-domain text, read in full here on John Shaqi.
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