Lady holding Rabbit. Newlands Manor (Hampshire). COL. CORNWALLIS WEST. Visitation. New York. METROPOLITAN MUSEUM. The Hunt. Return from the Hunt (Cf. Mr. Ricketts, London). Oxford. CHRIST CHURCH LIBRARY, 2. _Tondo_: _Pieta_. L. Paris. 1274. The Young Baptist. 1416. Coronation of Virgin. L. 1662. Madonna. Philadelphia. MR. JOHN G. JOHNSON. Bust of Physician. Portrait of Man. 1512. Madonna (fragment). Rome. BORGHESE. 329. Judgment of Solomon. 335. Holy Family L. (?). 343. _Tondo_: Madonna and Angels adoring Child. CORSINI. Magdalen. _Pieta_. VATICAN, SIXTINE CHAPEL. Fresco: Destruction of Pharaoh. 1482. Scotland. (Glasgow, Cf. Glasgow). CAWDER HOUSE (BISHOPBRIGGS, NEAR GLASGOW), CAPT. ARCHIBALD STIRLING. Madonna and infant John. GOSFORD HOUSE, EARL OF WEMYSS. Bust of Man. NEWBATTLE ABBEY (DALKEITH), MARQUESS OF LOTHIAN. Mythological Scene. Siena. MONASTERO DEL SANTUCCIO, ALTAR L. Nativity. Stockholm. ROYAL GALLERY. Madonna. Strasburg. UNIVERSITY GALLERY, 216A. Madonna. 216B. Prometheus Myth (Cf. Von Kaufmann Collection, Berlin). Vienna. HARRACH COLLECTION, 136. Holy Family and Angels. L. PRINCE LIECHTENSTEIN. Madonna and infant John. L. _Tondo_: Landscape with Water, etc. Worksop (Nottinghamshire). CLUMBER PARK, DUKE OF NEWCASTLE. Altarpiece with _Predelle_: Madonna with St. Peter and Baptist and kneeling Ecclesiastic. PIER FRANCESCO FIORENTINO. Known to have been active during the last three decades of the fifteenth century. Pupil possibly of Fra Angelico or Benozzo Gozzoli; influenced by Neri di Bicci; eclectic imitator of Alesso Baldovinetti, Fra Filippo, and Pesellino. Some of the best of the following are copies of the two last and of Compagno di Pesellino.