The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)Saintsbury, George
History
The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)
Saintsbury, George
Allegory; Literature, Medieval -- History and criticism; Romances -- History and criticism
The Alexander story, which Mr Wallis Budge, our chief authority (and
perhaps _the_ chief authority) on the Oriental versions of it, speaks
of as "a book which has had more readers than any other, the Bible
alone excepted," is of an antiquity impossible to determine in any
manner at all certain. Nor is the exact place of its origin, or the
language in which it was originally written, to be pronounced upon
with anything like confidence. What does seem reasonably sure is that
what is called "the Pseudo-Callisthenes"--that is to say, the fabulous
biography of the great king, which is certainly the basis of all
Western, and perhaps that of most Eastern, versions of the legend--was
put into Greek at least as early as the third century after Christ,
and thence into Latin (by "Julius Valerius" or another) before the
middle of the fourth. And it appears probable that some of the Eastern
versions, if not themselves the original (and a strong fight has been
made for the AEthiopic or Old-Egyptian origin of nearly the whole),
represent Greek texts older than those we have, as well as in some
cases other Eastern texts which may be older still. Before any modern
Western vernacular handled the subject, there were Alexander legends,
not merely in Greek and Latin, not merely in AEthiopic or Coptic, but
in Armenian and Syriac, in Hebrew and Arabic, in Persian and perhaps
in Turkish: and it is possible that, either indirectly before the
Crusades, or directly through and after them, the legend as told in
the West received additions from the East.
As a whole, however, the Pseudo-Callisthenes, or rather his Latin
interpreter Julius Valerius,[72] was the main source of the mediaeval
legend of Alexander. And it is not at all impossible (though the old
vague assertions that this or that mediaeval characteristic or
development was derived from the East were rarely based on any solid
foundation so far as their authors knew) that this Alexander legend
did, at second-hand, and by suggesting imitation of its contents and
methods, give to some of the most noteworthy parts of mediaeval
literature itself an Eastern colouring, perhaps to some extent even an
Eastern substance.
[Footnote 72: Most conveniently accessible in the Teubner collection,
ed. Kuebler, Leipzig, 1888.]
[Sidenote: _Latin versions._]
Public-domain text, read in full here on John Shaqi.
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