The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)Saintsbury, George
History
The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)
Saintsbury, George
Allegory; Literature, Medieval -- History and criticism; Romances -- History and criticism
It will be, of course, obvious to the merest tyro in criticism that
these prefaces bear "forgery" on the very face of them. The first is
only one of those innumerable variants of the genesis of a fiction
which Sir Walter Scott has so pleasantly summarised in one of his
introductions; and the phrase quoted about _animi otiosi desidiam_ is
a commonplace of mediaeval bookmaking. The second, more cleverly
arranged, exposes itself to the question how far, putting the
difficulty about writing aside, an ancient Greek MS. of the kind could
possibly have escaped the literary activity of many centuries of
Athenian wits and scholars, to fall into the hands of Cornelius Nepos.
The actual age and origin of the two have, of course, occupied many
modern scholars; and the favourite opinion seems to be that Dictys may
have been originally written by some Greek about the time of Nero (the
Latin translation cannot well be earlier than the fourth century and
may be much later), while Dares may possibly be as late as the
twelfth. Neither book is of the very slightest interest intrinsically.
Dictys (the full title of whose book is _Ephemeris Belli Trojani_) is
not only the longer but the better written of the two. It contains no
direct "set" at Homer; and may possibly preserve traits of some value
from the lost cyclic writers. But it was not anything like such a
favourite with the Middle Ages as Dares. Dictys had contented himself
with beginning at the abduction of Helen; Dares starts his _De Excidio
Trojae_ with the Golden Fleece, and excuses the act of Paris as mere
reprisals for the carrying off of Hesione by Telamon. Antenor having
been sent to Greece to demand reparation and rudely treated, Paris
makes a regular raid in vengeance, and so the war begins with a sort
of balance of cause for it on the Trojan side. Before the actual
fighting, some personal descriptions of the chief heroes and heroines
are given, curiously feeble and strongly tinged with mediaeval
peculiarities, but thought to be possibly derived from some similar
things attributed to the rhetorician Philostratus at the end of the
third century. And among these a great place is given to Troilus and
"Briseida."
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