The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)Saintsbury, George
History
The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)
Saintsbury, George
Allegory; Literature, Medieval -- History and criticism; Romances -- History and criticism
It is not surprising that, although the Latin literary production of
the time, especially in history, was at least equal to that of any
other European country, and though it is at least probable that some
of the greatest achievements of literature, French in language, are
English in nationality, the vernacular should for long have been a
little scanty and a little undistinguished in its yield. Periods of
moulting, of putting on new skins, and the like, are never periods of
extreme physical vigour. And besides, this Anglo-Saxon itself had (as
has been said) been distinctly on the wane as a literary language for
more than a century, while (as has not yet been said) it had never
been very fertile in varieties of profane literature. This infertility
is not surprising. Except at rare periods literature without literary
competition and comparison is impossible; and the Anglo-Saxons had
absolutely no modern literature to compare and compete with. If any
existed, their own was far ahead of it. On the other hand, though the
supposed ignorance of Latin and even Greek in the "dark" ages has long
been known to be a figment of ignorance itself, circumstances
connected with, though not confined to, the concentration of learning
and teaching in the clergy brought about a disproportionate attention
to theology. The result was that the completest Anglo-Saxon library of
which we can form any well-based conception would have contained about
ten cases of religious to one of non-religious books, and would have
held in that eleventh but little poetry, and hardly any prose with an
object other than information or practical use.
[Sidenote: _Scantiness of its constituents._]
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