acatalectic and catalectic. He does not rhyme, but his work, in the couplet form which shows it best, exhibits occasionally the alternation of masculine and feminine endings. This latter peculiarity was not to take hold in the language; but the quantified or mainly syllabic arrangement was. It was natural that Ormin, greatly daring, and being almost the first to dare, should neither allow himself the principle of equivalence shortly to distinguish English prosody from the French, which, with Latin, he imitated, nor should further hamper his already difficult task with rhyme. But his innovation was great enough, and his name deserves--little positive poetry as there is in his own book--high rank in the hierarchy of British poets. But for him and others like him that magnificent mixed harmony, which English almost alone of languages possesses, which distinguishes it as much from the rigid syllabic bondage of French as from the loose jangle of merely alliterative and accentual verse, would not have come in, or would have come in later. We might have had Langland, but we should not have had Chaucer: we should have had to console ourselves for the loss of Surrey and Wyatt with ingenious extravagances like Gawain Douglas's Eighth Prologue; and it is even possible that when the reaction did come, as it must have come sooner or later, we might have been bound like the French by the rigid syllable which Orm himself adopted, but which in those early days only served to guide and not to fetter. [Footnote 90: Ed. White and Holt, 2 vols. Oxford, 1878.] [Sidenote: _Its spelling._] His second important peculiarity shows that he must have been an odd and crotchety creature, but one with sense in his crotchets. He seems to have been annoyed by mispronunciation of his own and other work: and accordingly he adopts (with full warning and explanation) the plan of invariably doubling the consonant after every _short_ vowel without exception. This gives a most grotesque air to his pages, which are studded with words like "nemmnedd" (named), "forrwerrpenn" (to despise), "tunderrstanndenn" (to understand), and so forth. But, in the first place, it fixes for all time, in a most invaluable manner, the pronunciation of English at that time; and in the second, it shows that Orm had a sound understanding of that principle of English which has been set at nought by those who would spell "traveller" "traveler." He knew that the tendency, and the, if not warned, excusable tendency, of an English tongue would be to pronounce this trav_ee_ler. It is a pity that knowledge which existed in the twelfth century should apparently have become partial ignorance close to the beginning of the twentieth. [Sidenote: _The_ Ancren Riwle.]