The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)Saintsbury, George
History
The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)
Saintsbury, George
Allegory; Literature, Medieval -- History and criticism; Romances -- History and criticism
[Footnote 108: For the verse originals see Vigfusson and Powell's
_Corpus Poeticum Boreale_ (Oxford, 1883), vol. i. The verse and prose
alike will be found conveniently translated in a cheap little volume
of the "Camelot Library," _The Volsunga Saga_, by W. Morris and E.
Magnusson (London, 1888).]
The author of the _Nibelungenlied_ (or rather the "Nibelungen-_Noth_,"
for this is the older title of the poem, which has a very inferior
sequel called _Die Klage_) has dealt with the story very differently.
He pays no attention to the ancestry of Sifrit (Sigurd), and little to
his acquisition of the hoard, diminishes the part of Brynhild,
stripping it of all romantic interest as regards Sifrit, and very
largely increases the importance of the revenge of Gudrun, now called
Kriemhild. Only sixteen of the thirty-nine "aventiuren" or "fyttes"
(into which the poem in the edition here used is divided) are allotted
to the part up to and including the murder of Sifrit; the remaining
twenty-three deal with the vengeance of Kriemhild, who is herself
slain just when this vengeance is complete, the after-piece of her
third marriage and the fate of Swanhild being thus rendered
impossible.
Among the idler parts of Nibelungen discussions perhaps the idlest are
the attempts made by partisans of Icelandic and German literature
respectively to exalt or depress these two handlings, each in
comparison with the other. There is no real question of superiority or
inferiority, but only one of difference. The older handling, in the
_Volsunga Saga_ to some extent, but still more in the Eddaic songs,
has perhaps the finer touches of pure clear poetry in single passages
and phrases; the story of Sigurd and Brynhild has a passion which is
not found in the German version; the defeat of Fafnir and the
treacherous Regin is excellent; and the wild and ferocious story of
Sinfioetli, with which the saga opens, has unmatched intensity, well
brought out in Mr Morris's splendid verse-rendering, _The Story of
Sigurd the Volsung_.[109]
[Footnote 109: 4th edition. London, 1887.]
[Sidenote: _The German version._]
Public-domain text, read in full here on John Shaqi.
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