The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)Saintsbury, George
History
The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)
Saintsbury, George
Allegory; Literature, Medieval -- History and criticism; Romances -- History and criticism
One does not make peddling criticisms of this kind on any legend that
has the true poetic character of power--of sweeping the reader along
with it; but this I, at least, can hardly find in _Kudrun_. It
consists of three or perhaps four parts: the initial adventures of
Child Hagen of Ireland with the griffins who carry him off; the wooing
of his daughter Hilde by King Hetel, whose ambassadors, Wate, Morunc,
and Horant, play a great part throughout the poem; the subsequent
wooing of _her_ daughter Gudrun, and her imprisonment and ill-usage by
Gerlind, her wooer's mother; her rescue by her lover Herwig after many
years, and the slaughter of her tyrants, especially Gerlind, which
"Wate der alte" makes. There is also a generally happy ending, which,
rather contrary to the somewhat ferocious use and wont of these
poems, is made to include Hartmuth, Gudrun's unsuccessful wooer, and
his sister Ortrun. The most noteworthy character, perhaps, is the
above-mentioned Wate (or _Wade_), who is something like Hagen in the
_Nibelungenlied_ as far as valour and ferocity go, but is more of a
subordinate. Gudrun herself has good touches--especially where in her
joy at the appearance of her rescuers she flings the hated "wash" into
the sea, and in one or two other passages. But she is nothing like
such a _person_ as Brynhild in the Volsung story or Kriemhild in the
_Nibelungenlied_. Even the "wash" incident and the state which, in the
teeth of her enemies, she takes upon her afterwards--the finest thing
in the poem, though it frightens some German critics who see beauties
elsewhere that are not very clear to eyes not native--fail to give her
this personality. A better touch of nature still, though a slight one,
is her lover Herwig's fear, when he meets with a slight mishap before
the castle of her prison, that she may see it and reproach him with it
after they are married. But on the whole, _Kudrun_, though an
excellent story of adventure, is not a great poem in the sense in
which the _Nibelungenlied_ is one.
[Sidenote: _Shorter national epics._]
Public-domain text, read in full here on John Shaqi.
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