The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)Saintsbury, George
History
The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)
Saintsbury, George
Allegory; Literature, Medieval -- History and criticism; Romances -- History and criticism
There is no reason at all to question the sincerity of this faith. But
Joinville was a shrewd and practical man, and when the kings of France
and Navarre pressed him to take the cross a second time, he answered
that their majesties' servants had during his first absence done him
and his people so much harm that he thought he had better not go away
again. Indeed it would be displeasing to God, "qui mit son corps pour
son peuple sauver," if he, Joinville, abandoned _his_ people. And he
reports only in the briefest abstract the luckless "voie de Tunes," or
expedition to Tunis. But of the earlier and not much less unlucky
Damietta crusade, in which he took part, as well as of his hero's life
till all but the last, he has written very fully, and in a fashion
which is very interesting, though unluckily we have no manuscript
representing the original text, or even near to it in point of time.
The book, which has been thought to have been written in pieces at
long intervals, has nothing of the antique vigour of Villehardouin.
Joinville is something of a gossip, and though he evidently writes
with a definite literary purpose, is not master of very great
argumentative powers. But for this same reason he abounds in anecdote,
and in the personal detail which, though it may easily be overdone, is
undoubtedly now and then precious for the purpose of enabling us to
conjure up the things and men of old time more fully and correctly.
And there is a Pepysian garrulity as well as a Pepysian shrewdness
about Joinville; so that, on the whole, he fills the position of
ancestor in the second group of historians, the group of lively
_raconteurs_, as well as Villehardouin leads that of inspired
describers. For an instance of the third kind, the philosophical
historian, France, if not Europe, had to wait two centuries, when such
a one came in Comines.
It is almost unnecessary to say that when the secret of producing
prose and its advantages over verse for certain purposes had been
discovered, it was freely employed for all such purposes, scientific
as science was understood, devotional, instructive, business (the
_Livre des Mestiers_, or book of the guilds of Paris, is of the
thirteenth century), and miscellaneous. But few of these things
concern literature proper. It is otherwise with the application of
prose to fiction.
[Sidenote: _Fiction._]
Public-domain text, read in full here on John Shaqi.
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