The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)Saintsbury, George
History
The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)
Saintsbury, George
Allegory; Literature, Medieval -- History and criticism; Romances -- History and criticism
matter), fined and outlawed for three years. There is little love
lost between him and his father, and he is badly fitted out for the
grand tour, which usually occupies a young Icelandic gentleman's first
outlawry; but his mother gives him a famous sword. On the voyage he
does nothing but flirt with the mate's wife: and only after strong
provocation and in the worst weather consents to bale, which he does
against eight men.
They are, however, wrecked off the island of Haramsey, and Grettir,
lodging with the chief Thorfinn, at first disgusts folk here as
elsewhere with his sulky, lazy ways. He acquires consideration,
however, by breaking open the barrow of Thorfinn's father, and not
only bringing out treasures (which go to Thorfinn), but fighting with
and overcoming the "barrow-wight" (ghost) itself, the first of the
many supernatural incidents in the story. The most precious part of
the booty is a peculiar "short-sword." Also when Thorfinn's wife and
house are left, weakly guarded, to the mercy of a crew of unusually
ruffianly bersarks, Grettir by a mixture of craft and sheer valour
succeeds in overcoming and slaying the twelve bersarks single-handed.
Thorfinn on his return presents him with the short-sword and becomes
his fast friend. He has plenty of opportunity: for Grettir, as usual,
neither entirely by his own fault nor entirely without it, owing to
his sulky temper and sour tongue, successively slays three brothers,
being in the last instance saved only with the greatest difficulty by
Thorfinn, his own half-brother Thorstein Dromond, and others, from the
wrath of Swein, Jarl of the district. So that by the time when he can
return to Iceland, he has made Norway too hot to hold him; and he
lands in his native island with a great repute for strength, valour,
and, it must be added, quarrelsomeness. For some time he searches
about "to see if there might be anywhere somewhat with which he might
contend." He finds it at a distant farm, which is haunted by the ghost
of a certain godless shepherd named Glam, who was himself killed by
Evil Ones, and now molests both stock and farm-servants. Grettir dares
the ghost, overcomes him after a tremendous conflict, which certainly
resembles that in _Beowulf_ most strikingly,[174] and slays him (for
Icelandic ghosts are mortal); but not before Glam has spoken and
pronounced a curse upon Grettir, that his strength, though remaining
great, shall never grow, that all his luck shall cease, and, finally,
that the eyes of Glam himself shall haunt him to the death.
[Footnote 174: It seems almost incredible that the resemblances
between _Beowulf_ and the _Grettis Saga_ should never have struck any
one till Dr Vigfusson noticed them less than twenty years ago. But the
fact seems to be so; and nothing could better prove the rarity of that
comparative study of literature to which this series aims at being a
modest contribution and incentive.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account