The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)Saintsbury, George
History
The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)
Saintsbury, George
Allegory; Literature, Medieval -- History and criticism; Romances -- History and criticism
Different sides of this spirit display themselves, of course, in
different productions of the time. There is the spirit of combat, in
which the _Chansons de geste_ show the way, anticipating in time, if
not quite equalling in intensity, the Sagas and the _Nibelungenlied_.
There is sometimes faintly mingled with this (as in the _gabz_ of the
_Voyage a Constantinoble_, and the exploits of Rainoart with the
_tinel_) the spirit, half rough, half sly, of jesting, which by-and-by
takes shape in the _fabliaux_. There is the immense and restless
spirit of curiosity, which explores and refashions, to its own guise
and fancy, the relics of the old world, the treasures of the East, the
lessons of Scripture itself. Side by side with these there is that
singular form of the religious spirit which has been so constantly
misunderstood, and which, except in a very few persons, seems so rare
nowadays--the faith which is implicit without being imbecile,
childlike without being childish, devout with a fearless familiarity,
the spirit to which the _Dies Irae_ and the sermons of St Francis were
equally natural expressions, and which, if it could sometimes
exasperate itself into the practices of the Inquisition, found a far
commoner and more genuine expression in the kindly humanities of the
_Ancren Riwle_. There is no lack of knowledge and none of inquiry;
though in embarking on the enormous ocean of ignorance, it is inquiry
not cabined and cribbed by our limits. In particular, there is an
almost unparalleled, a certainly unsurpassed, activity in metaphysical
speculation, a fence-play of thought astonishing in its accuracy and
style. As Poetry slowly disintegrates and exfoliates itself into
Prose, literary gifts for which verse was unsuited develop themselves
in the vernaculars; and the chronicle--itself so lately an
epic--becomes a history, or at least a memoir; the orator, sacred or
profane, quits the school rhetoric and its familiar Latin vehicle for
more direct means of persuasion; the jurist gives these vernaculars
precision by adopting them.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account