The Flower Girl of The Château d'Eau, v.1 (Novels of Paul de Kock Volume XV)Kock, Paul de
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The Flower Girl of The Château d'Eau, v.1 (Novels of Paul de Kock Volume XV)
Kock, Paul de
French fiction -- Translations into English
Thereupon, his eyes had wandered in the direction of the ladies; he
could see only the backs of those who occupied the front rows of seats,
and Madame de Grangeville was one of them; so that he was looking,
without paying any particular attention to them, at the ladies of the
company, who, however, were very handsomely dressed, when one of them,
Madame de Grangeville, turned her head and looked in his direction.
Monsieur Malberg was struck by that glance; a thousand memories awoke in
his mind; but the lady turned her head away almost immediately, and he
could not see her features. Impelled by curiosity, however, to know that
person, a single glance from whom had so disturbed him, he had quietly
left his place and had drawn nearer to the stage, without, however,
mingling with the audience, until he was so placed that, without being
seen, he could at his leisure examine the lady who was seated beside
Madame Glumeau.
On scrutinizing the baroness closely, Monsieur Malberg had thought at
first that he had made a mistake; nineteen years had caused so many
changes! And all of us have a singular habit: if we are many years
without seeing a woman, when we think of that woman, we always imagine
her as she was when we saw her last. Instead of saying to ourselves:
“Time must have marched with her; her beauty and charm and freshness
must have undergone deplorable changes;” we always imagine that she is
as we left her, because her image, her figure, her bearing charmed us
so, and because the heart and the memory shrink from attributing age to
the objects whose souvenir they cherish.
And so, while gazing attentively at Madame de Grangeville, Monsieur
Malberg said to himself:
“No, I am mistaken, it isn’t she, it cannot be the woman whose grace,
whose fresh complexion and slender figure and light step everyone
admired; and yet, those are her features; despite the deep wrinkles at
the corners of her mouth, that is the lower part of her face; her eyes
are black-ringed and swollen, but the expression is still the same, and
it is that expression which has awakened all my memories. Her face is
thinner, her hair has changed its color; there are wrinkles on her brow;
and yet I cannot doubt it; it is she! yes, surely she! And, in truth,
over nineteen years have passed since I saw her; but I had not thought
that she could grow old!”
Monsieur Malberg could not remove his eyes from the baroness after that;
he abandoned himself the more freely to that mute contemplation,
because no one could observe it.
Public-domain text, read in full here on John Shaqi.
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