NOW westward Sol had spent the richest beams
Of noon’s high glory, when, hard by the streams
Of Tiber, on the scene of a green plat,
Under protection of an oak, there sat
A sweet lute’s master: in whose gentle airs
He lost the day’s heat, and his own hot cares.
Close in the covert of the leaves there stood
A nightingale, come from the neighbouring wood:—
The sweet inhabitant of each glad tree,
Their muse, their Syren, harmless Syren she,—
There stood she list’ning, and did entertain
The music’s soft report, and mould the same
In her own murmurs, that whatever mood
His curious fingers lent, her voice made good.
The man perceived his rival, and her art;
Disposed to give the light-foot lady sport,
Awakes his lute, and ’gainst the fight to come
Informs it, in a sweet _præludium_
Of closer strains; and ere the war begin
He slightly skirmishes on every string,
Charged with a flying touch; and straightway she
Carves out her dainty voice as readily
Into a thousand sweet distinguished tones;
And reckons up in soft divisions
Quick volumes of wild notes, to let him know
By that shrill taste she could do something too.
His nimble hand’s instinct then taught each string
A cap’ring cheerfulness; and made them sing
To their own dance; now negligently rash
He throws his arm, and with a long-drawn dash
Blends all together, then distinctly trips
From this to that, then, quick returning, skips
And snatches this again, and pauses there.
She measures every measure, everywhere
Meets art with art; sometimes, as if in doubt—
Not perfect yet, and fearing to be out—
Trails her plain ditty in one long-spun note
Through the sleek passage of her open throat:
A clear unwrinkled song; then doth she point it
With tender accents, and severely joint it
By short diminutives, that, being reared
In controverting warbles evenly shared,
With her sweet sell she wrangles; he, amazed
That from so small a channel should be raised
The torrent of a voice whose melody
Could melt into such sweet variety,
Strains higher yet, that, tickled with rare art,
The tattling strings—each breathing in his part—
Most kindly do fall out; the grumbling bass
In surly groans disdains the treble’s grace;
The high-perched treble chirps at this, and chides
Until his finger—moderator—hides
And closes the sweet quarrel, rousing all,
Hoarse, shrill, at once: as when the trumpets call
Hot Mars to th’ harvest of death’s field, and woo
Men’s hearts into their hands; this lesson, too,
She gives him back, her supple breast thrills out
Sharp airs, and staggers in a warbling doubt
Of dallying sweetness, hovers o’er her skill,
And folds in waved notes, with a trembling bill,
The pliant series of her slippery song;
Then starts she suddenly into a throng
Of short thick sobs, whose thund’ring volleys float
Public-domain text, read in full here on John Shaqi.
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