Bildungsromans; Families -- Fiction; Man-woman relationships -- Fiction; New England -- Fiction
“We idled long in those glades, dear heart,
The world a purple mist;
Beside an amethyst stream we strolled
And kept that midnight tryst.
The little stars drifted down the sky,
A hush! ... I felt a hand,
And once ... just once! ... came a whisper soft:
‘Dear heart, I understand!’
“I do not know all we said, dear heart,
The night ran swift away,
But all the charm of your presence sweet
Came back from Dream to Day.
It’s not the words that you spoke, dear heart,
That made that tryst so fine,
But that kind night found a subtle way
To bring your hand to mine.
“The tears and toil we may know, dear heart,
Must some day reach an end;
Through miles and years we must search sometimes,
Ten thousand for one friend.
Yet some great noon in the sun-glare bright,
In some vast open space,
You’ll stand, flesh-clothed, with your arms outstretched
And triumph on your face.
“I know few words will be needed then,
Lament nor name nor plea,
We’ll let our eyes speak the message sweet:
‘Grow old along with me!’
A thousand years shall become as one
As heart to heart shall press,
And God shall start all his worlds anew
From that first white caress.
“You may be dark or you may be fair,
You may not have a name,
Though you’ve been sold for a caliph’s gold
That kiss will mean the same.
The soul of man has a thousand lives,
Yet Love has only one,
That leaps alive to the Glory Cry:
‘Dear heart, the trek is done!’
“And so the nights with a velvet tread
Mount softly into years;
The gray days come and the bright days go,
With smiles and fears and tears.
But somewhere off o’er a clean sea’s track,
Each soul’s High Noon is due;
Be strong, dear heart, though the wait is hard;
Till then ... just dreams ... and You!
—“NATHANIEL FORGE.”
Madelaine read the fine-typed verses again and again. An inexplicable,
constricted feeling tightened across her chest. Somehow the lines
frightened her, as though a Voice had come from the void and whispered a
promise close at her ear.
She finally creased the edges of the column neat and true. She tore away
the ragged portions and folded the poem in her purse.
Who was Nathaniel Forge? Why should he write such a poem? She wondered.
She saved the poem.
------------------------------------------------------------------------
CHAPTER XVI
MORE ROMANCING
I
Nathan was in love again!
The winter of 1906-1907 contributed two incidents of far-reaching
importance to this account of hectic romance.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account