Bildungsromans; Families -- Fiction; Man-woman relationships -- Fiction; New England -- Fiction
Nathan countered by desiring to know if she played. And when she said a
little, not much, Nathan affirmed he also sang a little, not much. And
Miss Gardner “took his things” and hung them in the adjoining bedroom
and came back into the sitting room, feeling of her belt in the back and
primping and patting her hair. Likewise she produced a pair of tiny
pince-nez spectacles and polished them with great care while Nathan kept
his mutilated ear away from her and wished to high heaven he had given
better attention lately to his nails.
Putting on the spectacles at last, Miss Gardner poked her lacy
handkerchief away in her blouse and sank in an opposite chair. She
remarked that it was fortunate Grandpa Cuttner had retired, because now
they had the house all to themselves and Nathan agreed it was indeed
fortunate Grandpa Cuttner had retired, because they had the house all to
themselves, although what they were going to do with the house, now that
they had it all to themselves, remained to be disclosed.
Seated beside the lamp, Nathan had his first satisfactory look at the
girl who might possibly “be his consort and his comfort down all the
future years.” Undoubtedly both would always look back to this night and
cherish it as one of Life’s Great Moments! And to think he was living in
it now—that very instant!
She was a well-built girl, rather small in stature, with soft chestnut
hair and large hips. She had a kissable mouth and a slightly snubbed
nose and pink, shell-like ears. Likewise she had a “You-don’t-dare”
manner that was tantalizing. She pulled her heavy mohair skirt down
quickly over her ankles as Nathan sat opposite her and thereby the boy
appreciated she was very modest and chaste and altogether a worthy
object for the bestowal of his connubial affections. He tried to imagine
that she was his wife already, sitting so domestically beside the lamp,
and came back to earth by realizing she held an open library book in her
lap and had launched into a dissertation on the decline of current
fiction.
Nathan clandestinely smoothed his hair, shot his cuffs, got his feet
stored away under his chair with minimum display and agreed that there
were no masters like the old masters. As for himself, give him Dickens.
There was a certain style about Dickens. Then at the psychological
moment he remarked contemptuously:
“I write a bit, myself!”
“You write! What?”
“Poetry!”
“No!”
“Oh, yes!”
“Why! how perfectly stunning!” It developed the Gardner girl was just
wild about poetry. And had Nathan ever had anything published?
Nathan gave her a blasé smile such as Kipling might bestow on a
high-school sophomore from Racine, Wisconsin. Certainly he had been
published. No one could count themselves real writers or poets until
they had been published. Did she happen to have a file of last year’s
_Telegraphs_ handy?
Public-domain text, read in full here on John Shaqi.
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