Bildungsromans; Families -- Fiction; Man-woman relationships -- Fiction; New England -- Fiction
This situation at the shop was something Mildred could never understand.
She and her family had assumed that marrying Nathan meant marrying
Millions. Both had believed that with the Monday following the nuptials,
it was to be Milly’s delirious destiny to dip her red, paste-bedaubed
fingers into the Forges’ golden pile and exist forever after in castles
in Spain. The realization that she must keep her domestic budget inside
of thirty weekly dollars came as a blunt shock. “Why, that’s only ten
dollars more than father makes; it’s just like Ma’s had to do all her
life!” cried the angry, astounded girl. Nevertheless, it was the truth,
the brutal truth. And early she made Nathan feel that he had buncoed
her.
Nathan’s subsequent estimate of Milly was no more satisfying. He had met
her at the hotel that first night, convinced Pat Whitney they were
properly married and been given one of the lower front rooms. It was
Milly’s first contact with a real bathroom, and “a regular tub” as she
expressed it. In fact, the whole experience for a time was not unlike a
glorious entrance into marble halls of which all heroines daydreamed in
the Elsie books. The two features of their apartment which most
interested and impressed her were the globular receptacle on the
washstand which, being inverted, spilled liquid soap, and the hemp rope
with handles on it coiled on a hook beside a window for use in case of
fire. She rather hoped there would be a fire. It might be interesting,
going down that rope. Milly had heard that vaguely mystic phrase, “Hotel
life.” She decided she liked “hotel life.” Everything was so convenient
and “classy” and modern.
Nathan’s first disillusion came when the girl started boldly to disrobe
and toss her clothing about on the chairs and the status of her
undergarments was disclosed. There were many disillusions that night and
the day and week ensuing. Milly had never before seen pyjamas at close
range. “Gawd, Ma,” she confided awesomely next day, “he goes to sleep in
white pants! You oughta see ’em!”
Nathan awoke first, the following morning,—that cold, much celebrated
dawn commencing the “day afterward.” He looked upon the features of his
still-sleeping wife as a man coming from _metempsychosis_. She wore a
heavy flannel nightgown which had once been pink, buttoned to her throat
with Chinese chastity. Her marcelled pompadour was shoved over one ear.
Her mouth was open and several teeth needed immediate dental attention.
A shudder ran through the boy. He was in bed with an utter stranger,
with whom he had nothing in common,—a female of whom he knew little
excepting that she had always lived on the edge of the “flats” with
multitudinous brothers and sisters, and that her father skinned cows.
And he had promised to love, honor and cherish her until death! He
suddenly wanted to flee Milly, his parents, the business, Paris,
everything,—in a panic.
Public-domain text, read in full here on John Shaqi.
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