Bildungsromans; Families -- Fiction; Man-woman relationships -- Fiction; New England -- Fiction
“Mother’s got her notions. They’re pretty high-flown. We don’t see much
of each other. I’m not living at home. I’m boarding with a fellow who
works in the same office.”
“And you did this because your father thrashed you?”
“Not exactly, Madge. The fact that father—as much of a fop and a prig as
he’s always been—could do it, started me thinking. Besides—anyway,
Madge—honestly, I was tired of searching for thrills. I’d tried all the
thrills till only one remained—Work. I wonder if you can understand?”
“Perhaps I understand, Gord, better than you think.”
“Madge, I’m going to tell you something else.”
“I’m sure I’m delighted to hear whatever you’ve got to tell me—along
this line. It’s perfectly splendid!”
“Madge, I’m going to tell you something because I’ve got to tell you.
Madge—_I love you!_” He said this last in a whisper.
It was silent in the apartment for a moment after that. The manner of
the fellow’s declaration was different. This was not the hoyden who had
tried to compromise her. His eyelid didn’t flop, either. Madge noticed
that.
“I love you, Madge,” the man went on before she could frame a suitable
reply. “I’ve always loved you. I loved you from the moment I set eyes on
you that day I banged into your bedroom, although I didn’t know it was
love—not then. You’ve always had a peculiar influence over me, Madge.
I’ve been a rotter. I’ve done things for which I can’t look myself in
the mirror—to say nothing of you. But—well, if a chap can be sorry, then
I’m sorry. I’m trying to show I’m sorry by straightening out. I’ve met
other girls and I’ve raised blue hell with them. But they’ve been
incidents in my life; they’ve come and they’ve gone. You haven’t come
and gone, Madge. Always you have held the same place in my feelings and
emotions. You’ve seemed steady, sure, something just a little above me,
waiting for me to come through clean. I say I love you, Madge. I’ve come
down here to tell you so. I had to tell you. I wanted you to know and
understand.”
“You’re paying me a great compliment, Gordon,” the woman managed to
articulate at last. “But—but—I can’t marry you, Gord. Somehow—I can’t.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account