Bildungsromans; Families -- Fiction; Man-woman relationships -- Fiction; New England -- Fiction
“Oh, I know how to buy, once I have the money to buy with! I got a whole
set of that funny furniture with the twisted legs to Blake Whipple’s for
our dining room. Only fifty-nine dollars! It was marked a hundred and
fifteen but Whipple lemme have it because he got stuck with it. Folks in
our town ain’t much on stylish stuff. They want chairs that has good
strong legs, made to be set on and not much else.”
“Undoubtedly!”
“Madam, dinner is served,” came a somewhat sonorous voice off toward the
left. A butler in complete evening livery—a rare and an awesome sight
for Milly whose only contact with butlers had been in the motion
pictures—stood by the dining-room door. Instantly the hum of
conversation ceased.
A rapier stab of fright pierced Milly’s vitals. Where was Nathan and
would he wait for her? The wife abandoned the Cynthia person abruptly
and frantically tried to pick her husband from the seven men all dressed
alike. Horror of horrors!—Nathan was talking to that stout girl in
silver-gray; she had a hand on his arm and they were moving toward the
dining room.
Milly had a wild impulse to flee. She would have flown if she had dared
search out the dressing-room alone. In her pitiful panic young Mosely
approached her.
“May I take you in, Mrs. Forge?” he asked easily.
“I guess so,” the girl responded dazedly.
Mosely held out his arm but Milly did not essay to take it. The idea of
such presumption! He should have taken _her_ arm, of course. All the
fellows had done it at the Saturday night dances in Foresters Hall
before she was married. So in a cold sweat and flaming fright, somehow
she moved toward the great double doors. Soft music started playing
behind a bank of palms on the landing.
Milly forgot her terror for an instant at sight of that “wonderful”
table. The overhead chandeliers had been extinguished. Shaded candle
lamps were so concentrated that every part of the cloth was in radiant
light. Upon the centerpiece of drawn work a low crystal bowl held a gay
mixture of blossoms, mostly small roses. Milly wondered where the food
was, what they intended to eat. All she saw in evidence were a few nuts
and some “soup plates filled with cracked ice.” Then she came back to
her dilemma. The “crowd” was wandering about the table, looking over the
napery and silverware, horribly ill-bred, Milly thought. Then she
grasped that they were reading names on “little cardboard signs” as she
told her mother afterward. Inertia took Milly forward. With a little
jolt she came upon her own name. It startled her.
She sat down at once and then got up again—hastily.
She expected that Nathan’s place would be beside her own; Mrs. Mosely
would have fixed it that way if she knew anything. But apparently Mrs.
Mosely didn’t know anything, because Milly found herself between two
disturbingly strange men, one a “bald-headed old fool” and “a tall,
sleek young man with a trick mustache who looked like Charley Chaplin.”
Public-domain text, read in full here on John Shaqi.
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