Bildungsromans; Families -- Fiction; Man-woman relationships -- Fiction; New England -- Fiction
He rarely attended any church or village function unless admittance was
free, and on rare occasions when the circus came to Paris and he
consented to take his children, he bought no admittance to performance
or side shows. He taught them to be content with standing off in the
background and “watching people make fools of themselves.”
When by unavoidable circumstance he was forced to participate in any
social function where people looked on, he either did so with an
awkward, clumsy, painful, red-faced self-consciousness, or he “tried to
be funny.” But in both cases he withdrew into innocuous desuetude as
quickly as he was permitted. Thereupon, unless the affair had been
directly connected with religion, he carried away the impression that he
had been a “cut-up” and a “card.”
Once, just once, when Edith had been ten, the Forge home had been opened
for a party. But on that occasion he had not been content to let the
youngsters work out their own social salvation. It had devolved upon him
as “master of his house” and “protector of his children’s morals” to
place himself in the best chair in the front room and preside over the
progress of the affair. It was his business to see that no kissing games
were played, suggest when the children had applied themselves to each
pastime long enough, inject witty criticisms of juvenile deportment,
indicate when it was time for the refreshments to be served and when the
hour had come for adjournment. All this he did in slippered feet, with
hair a bit rumpled and vest unbuttoned. On the whole, it was quite a
responsibility.
Vainly his wife had tried to spirit him out and away so the children
might act naturally and enjoy themselves. Johnathan was indignant. He
guessed it was his house. His carpets were being scuffed out. His money
was paying for the ice cream and cake. He stayed.
His favorite contribution to the entertainment when the children sat
around like little wooden puppets, half-frightened to death by the
Moloch presiding over them, was the demand, accompanied by an indulgent
toe-tapping: “Who can tell a funny story or sing a funny song?” But
ten-year-olds who wanted to play “Copenhagen” or “Drop the Pillow” were
rather deficient in the matter of volunteering comic anecdotes or
rendering humorous ballads. And whereas Johnathan’s repertoire was
rather limited along those lines also, the party was not all it might
have been.
That night in bed an exasperated wife “started in her same old tirade”
and ended her excoriation by kicking her loving husband in the shins.
Johnathan exhibited the black and blue spot to Nathan in the week
ensuing to prove to the son that his father had married a virago. There
never was another party.
Public-domain text, read in full here on John Shaqi.
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