England -- Social life and customs -- 19th century -- Fiction
Her first impulse on making this discovery was indignation, not with
the trembling wretch who had failed her, but with herself for her own
folly in trusting him. Then immediately she set about devising what
she could do. She heard a cork drawn in the lower cellar, the door of
which was shut, and it seemed to her that the weird, droning sound
which Amos Goodhare was making grew gradually louder. Was Lord St.
Austell hiding somewhere, on the watch like herself, she wondered. Her
eyes were getting accustomed to the gloom, and she now perceived, some
way to the left, a faint light from above. Moving very cautiously in
that direction she perceived that there was a boarded-up-window, and
that a few rays of what murky daylight was left filtered through the
cracks from a grating above.
As she crossed the floor her boot struck against a couple of boards
that were lying there, and made a little clatter. Instantly the
crooning in the next room stopped, and Deborah heard sounds as of a
seat pushed back. She had time to get close to the wall under the
boarded window, and to crouch down, when the door was pushed open, and
against a ruddy glow of fire-light she saw the figure of Amos
Goodhare.
She kept quite still.
“Rees!” called he, not loud but imperatively. A pause. He repeated the
name savagely. Then, between his teeth, he muttered, “D--n the young
whelp,” and took a few steps into the room.
Deborah could hear her own heart beating.
But Goodhare had not found her out. The next moment she heard the
clank of glass, and as he returned to the lower cellar she saw that he
carried a bottle of wine under his arm. This time he pulled the door
after him, but it rebounded a little way and stood ajar. After a few
more minutes of silent apprehension, during which Goodhare’s savage
droning went on again, Deborah felt sufficiently secure to indulge the
overwhelming anxiety and curiosity which prompted her to look at him
in his den and discover whether he was really alone.
She crept over the floor, cautiously feeling with her feet before
every step she took, and reaching the half-open door, found it easy to
peep into the lower cellar without being seen by Goodhare. For he was
sitting on the opposite side of the square grate, leaning on his elbow
along one of the wooden benches, with a great pewter tankard beside
him and two or three empty bottles at his feet. He was reaching the
sleepy stage of intoxication, she thought, for his face wore an
expression of dull ferocity as he stared into the fire.
Suddenly he lifted his head and assumed a listening attitude, becoming
on the instant alert and fierce. Deborah withdrew at once from the
door, afraid that he had seen her. But the next moment she heard
sounds on the floor above, and a step which she thought was Rees
Pennant’s. Creeping back to the wall she listened intently, and heard
Goodhare push the door of the inner cellar wide open, just as some one
began to climb down the ladder.
Public-domain text, read in full here on John Shaqi.
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