The author of the “Vestiges” is evidently a practised and tasteful
writer, and his work abounds in ingenious combinations of thought; but
those powers of abstract reflection on whose vigorous exercise the
origination of argument depends, nature seems to have denied him. There
are two things in especial which his work wants,—_original observation_
and _abstract thought_,—the power of _seeing_ for himself and of
_reasoning_ for himself; and what we find instead is simply a vivid
appreciation of the _images_ of things, as these images exist in other
minds, and a vigorous perception of the various shades of resemblance
which obtain among them. There is a large amount of analogical power
exhibited; but that basis of truth which correct observation can alone
furnish, and that ability of nicely distinguishing differences by
which the faculty of discerning similarity must be forever regulated
and governed, are wanting, in what, in a mind of fine general texture
and quality, must be regarded as an extraordinary degree. And hence an
ingenious but very unsolid work,—full of images transferred, not from the
scientific field, but from the field of _scientific mind_, and charged
with glittering but vague resemblances, stamped in the mint of fancy;
which, were they to be used as mere counters in some light literary game
of story-telling or character-sketching, would be in no respect out of
place, but which, when passed current as the proper coin of philosophic
argument, are really frauds on the popular understanding. There are,
however, not a few instances in the “Vestiges” and its “Sequel,” in which
that defect of reflective power to which I refer rather enhances than
diminishes the difficulty of reply, by presenting to the controversialist
mere intangible clouds with which to grapple; that yet, through the
existence of a certain superstition in the popular mind, as predisposed
to accept as true whatever takes the form of science, as its predecessor
the old superstition was inclined a century ago to reject science itself,
are at least suited to blind and bewilder. Of this kind of difficulty,
the following passage, in which the author of the work cashiers the
Creator as such, and substitutes, instead, a mere animal-manufacturing
piece of clock-work, which bears the name of natural law,[38] furnishes
us with a remarkable instance.
Public-domain text, read in full here on John Shaqi.
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