The foreign debt of English literatureTucker, T. G. (Thomas George)
History
The foreign debt of English literature
Tucker, T. G. (Thomas George)
Comparative literature; English literature -- History and criticism
Carlo GOLDONI
1707-1792
Comedies.
Pastoral Drama (See below, “Pastoral Eclogues.”)
Angelo POLIZIANO
fl. 1480
_Orfeo._
TASSO
1544-1595
_Aminta_ (1572)
Watson’s _Amyntas_ (1584).
Battista GUARINI
1537-1612
_Pastor Fido_ (1585)
Many times translated into English, first in 1602. Fletcher’s
_Faithful Shepherdess_.
Musical Drama (Melodrama, Opera.)
Ottavio Rinuccini
fl. 1594
_Dafne_ and _Euridice_.
Apostolo Zeno
1669-1750
Pietro METASTASIO
1698-1782
Twenty-eight grand operas (_La Semiramide_, etc.).
Pastoral Eclogues
Battista Spagnoli (MANTUANUS)
fl. 1502
Latin eclogues
Used by Barclay (1513) and freely by Spenser (_Shepheard’s
Calender_), quoted by Holofernes in Shakespeare.
Giacomo SANNAZARO
1458-1530
_Arcadia_ (1504) (prose and verse).
Original of Sidney’s _Arcadia_. (These revive pastoral poetry
among both the French (Marot) and English.)
(Marini.)
Prose Fiction
Giovanni BOCCACCIO
1313-1375
_Decameron_ (100 tales).
Suggests plan of Chaucer’s _Canterbury Tales_, and also several
of the tales themselves. In Elizabethan times some of them
appear in Painter’s _Palace of Pleasure_, whence _All’s
Well that Ends Well_ is derived. Well known at all times.
Ser Giovanni
Publ. 1558
_Pecorone_
Giraldi Cinthio
Publ. 1565
_Hecatommithi_
Matteo Bandello, etc.
Publ. 1554-1573
_Novelle_
Much read and used by Elizabethans (Greene, Peel, etc. ). The
storehouse of dramatic plots. Thus, _Romeo and Juliet_,
_Measure for Measure_, _Othello_, etc., are from the Novelle.
Other Prose
Niccolo MACHIAVELLI
1469-1527
_Il Principe_, _History_, _Discourses on Livy_
_The Prince_ widely read. Bacon was well acquainted with
Machiavelli, and takes occasional suggestion from him in the
_Essays_.
VI
OTHER LITERARY INFLUENCES SUMMARIZED
(_a_) SPANISH LITERATURE AND ENGLISH
The direct and avowed influence of Spain upon English literature has
hardly been comparable to that of France or Italy; nevertheless, in its
totality, it has been sufficient to demand some concise review. Meanwhile
that review necessitates, if less inevitably than in the case of Italy
and France, an outline survey of the history of Spanish literature down
to the middle of the seventeenth century. After that date the Peninsula,
apart from its own lack of progress, cannot be said to count in our
literary development.
Public-domain text, read in full here on John Shaqi.
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