The Forlorn Hope: A Novel (Vol. 1 of 2)Yates, Edmund
General
The Forlorn Hope: A Novel (Vol. 1 of 2)
Yates, Edmund
Fiction
It was like going into a different world to leave the smoky
atmosphere, the wild disorder and reckless confusion of most of the
other rooms in barracks, and go into Ronald Kilsyth's trim orderly
apartment. Instead of tables ringed with stains of long-since-emptied
tumblers, and littered with yellow-paper-covered French novels, torn
playbills, old gloves, letters, unpaid bills, opera-glasses, pipes,
shreds of tobacco, heaps of cigar-ash, rolls of comic songs, trophies
from knock'em-downs at race-courses, empty soda-water bottles,
scattered packs of cards, and suchlike examples of free living--to
find perfect order and decorum; the walls covered with movable
bookcases filled with valuable books, Raphael Morghen prints, proofs
before letters after the best modern artists, and charming bits of
water-colour sketches, instead of coloured daubs of French _écuyères_
and _lionnes_ of the Quartier Breda, photographs of Roman temple or
Pompeian excavation, and Venetian glass and delicate eggshell china,
and Chinese carving, and Indian beadwork. They used to look round at
these things in wonder, the other young fellows of the regiment, when
they penetrated into Ronald's room, and point to the pictures and ask
who "that queer old party was," and depreciate the furniture by
inquiring "what was that old rubbish?" They could not understand his
friends either; men asked to the mess by them or seen in their rooms
were generally well known in the Household Brigade, other officers in
the Blues or the Foot Regiments, or idlers and dawdlers with nothing
to do, men in the Treasury or Foreign Office, people whom they were
safe to meet in society at least every other night in the season. But
Ronald Kilsyth's guests were of a different stamp. Sometimes he
brought Wrencher the novelist or Scumble the Royal Academician to
dinner; and the fellows who knew the works of both made much of the
guests and did them due honour; but when occasionally they had to
receive Jack Flokes the journalist, who looked on washing as an
original sin, or Dick Tinto the painter, who regarded a dirty brown
velvet shooting-coat as the proper costume for the evening, or
Klavierspieler the pianist, a fat dirty German in spectacles, who made
a perfect Indian juggler of himself in trying to swallow his knife
during dinner--they were scarcely so much gratified. Innate
gentlemanliness and entire good-breeding made them receive the
gentlemen with every outward sign of hospitality; but afterwards,
round the solemn council fire in the little mess-room and midst deep
clouds of tobacco-smoke, they delivered a verdict anything but
complimentary either to guest or host.
Public-domain text, read in full here on John Shaqi.
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