It occurred to him to go and see the boatman and order him away so
that afterward the man could say he had been sent off duty, and the
story of a nocturnal river trip would not appear too incredible. It
was a small concession to stop gossip's mouth.
So drawing on a swinging military cloak, the general stole down
through the stair of the water entrance into the lower hall, where
the pale light gleamed through the cross-barred iron of the gate and
the gatekeeper slept like a log in his muffling cloak.
The soundness of that slumber--loudly attested by the fumes of
wine--afforded the general a profound pleasure. He took the man's
keys softly, and went to the gate; it afforded him less pleasure to
observe that the gate was unlocked, but he put this down to the
keeper's muddleheadedness.
Carefully he turned the lock and pocketed the keys--for a lesson to
the man's overdeep sleep in the morning and to attest his own
presence there that night; then he went back and brought out an oar,
which he placed conspicuously beside the smallest boat, drawn up
just within the gates.
He was afraid to alter the boat's position lest the noise should
prove too wakening, but he considered he had laid an artistic
foundation for his story and with a gratifying sense of triumph he
mounted the stairs.
He was not conscious of fatigue. He had always been a wiry,
indefatigable person, and the alarms and emotions of this night had
cleared his head of its wines and drowsiness. He felt the sense of
tense, highstrung power which came to him in war, in fighting, in
any element of danger.
Youth! He snapped his fingers at it. Youth was buried in
his masonry--and helpless in its shuttered room. Power was
master--power, craft, subtlety.
But his elation ebbed as he crossed again that long drawing room
with its faded flowers about the marriage throne, and its abandoned
table with its cloth askew, its crystal disarrayed, its candles
gutted and spent.
The memory of that insolent moment when a man's hand had gripped
him, had whirled him from Aimée--when a man's voice and gun had
threatened him--that memory was too overpowering for even his
triumph over the invader to lay wholly its smart of outrage.
He felt again the tightening of his nerves, like quivering wires, as
he crossed the violated reception room and entered the boudoir. It
was empty, but on the divan the flickering candle light revealed the
damp, spreading stain where Aimée's drenched satins had been.
He thrust aside a hanging and pushed open the door into the room
beyond.
It was a small bedroom evidently very recently furnished in new and
white shining lacquer of French design, elaborately inlaid with
painted porcelains and draped with a profusion of rosy taffeta.
Among this elegance, surprisingly unrelated to the ancient paneled
walls, stood the hastily opened trunk and bags of the bride, their
raised lids and disarranged trays heaped with the confusion of
unaccustomed, swiftly searching hands.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account