And he said to himself now that he might have known it was going to
happen, and that if he had not been so concerned that morning about
saving his face and preserving this fiction of indifference he would
know a little more about the labyrinth they were poking about
in--the little more that tips the scale between safety and
destruction.
But he did not know and blind Chance was his only goddess.
The passage had brought him to a wall and a narrow stairs while
another passage led off to the right, apparently to the forward
regions of the place.
He took the stairs. He had had enough of underground regions when
they did not lead to water gates and the stairs promised novelty at
least.
He wished he knew more about Turkish palaces. He supposed they had a
fairly consistent ground plan, but beyond a few main features of
inner courts and halls he was culpably ignorant of their intentions.
If it were an early Egyptian tomb or temple now! But then, perhaps
the Turks were more indefinite in their building and rebuilding.
At the head of the stairs a door stood half ajar. Through the crack
he strained his eyes, but his anxious glance met only the darkness
of utter night. Not a gleam of light. And not a sound--except the
far, hollow stamping of some stabled horse.
Softly he pushed the door open and he and Aimée slipped within. The
place, whatever it was, appeared deserted, a dark, bare, backstairs
region--for he stumbled over a bucket--from which to the right he
could just discern a hall leading into the forward part of the
palace, wanly lighted some distance on, with the pale flicker of an
old ceiling lamp.
They seemed to be at the end of the hall and the darker shadows in
the walls about them appeared to be a number of doors--closed, so
his groping hands informed him.
Oh, for his excavator's steady light, or a pocket flash! Oh, for a
light of any kind, even a temporary match! But he dared not risk the
scratch, for now he caught the thud of footfalls overhead, heavy
footfalls, and there might be stairs unexpectedly close at hand.
He turned to Aimée but the girl shook her head helplessly and
hesitant and dashed, for all their young confidence, they wavered a
moment hand in hand in the dark, fearful of what a rash move might
bring upon them. And in the beating stillness Ryder became conscious
that the muffled, monotonous stamping of a horse is a gloomy,
disheartening thing in the night, and that footsteps overhead are of
all noises the most nervous and unsettling.
What was behind those doors? Not a spark of light came from them,
that was one comfort. The rooms, kitchen, service, store rooms or
whatever they were, appeared in the same blackness and oblivion....
But any door might open on a roomful of sleeping gardeners and
grooms....
Life and more than life hung on the blind goddess.
Public-domain text, read in full here on John Shaqi.
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