The diadem, that heavy circlet of brilliants which crowned the
Eastern bride in place of the orange wreath of Western convention,
must not be touched by the bride's fingers but placed by one of her
friends, married and married but once, and exceptionally happy in
that marriage.
Ghul-al-Din, Aimée's selection from her friends, stepped hastily
forward now, a soft, dimpled, slow-smiling girl, her eyes drowsy
with domesticity. No question of Ghul-al-Din's happiness! She
extolled her husband, a young captain of cavalry, and she adored her
infant son, a prodigy among children. Life for her was a rosy,
unquestioning absorption.
A shaft of irony sped through Aimée, as she bent her head for its
crowning at this young wife's hands, and received the ceremonial
wishes for her crowning of happiness, a crowning occurring but once
in her lifetime. Irony was the only salvation for the hour; without
that outlet for her tortured spirit she felt she would grow suddenly
mad, hysterical and babbling or passionate and wild.
So many moods had stormed through her since that night when she had
found all hope of rescue gone with her lost key! So many impulses
seethed frantically now beneath her quiet, as she faced for the last
time that white-misted image in the glass. She had a furious longing
to tear off that diadem and veil and heavy robe, to scatter the
ornaments and drive out all those maddening spectators, all those
interested, eager, unknowing, uncaring spectators of her
humiliation.
Arranging her veil, draping her satins, as if gauze and silk were
all that mattered to this hour! Wishing her happiness--as if
happiness could ever be hers now for the wishing! Smiling,
fluttering, complimenting, lending to the ghastly sacrifice the
familiar acceptances of every day....
If only she could wake from this nightmare and find that it was all
a dream. If only she could brush this confusion from her senses and
from her heart its dumb terrors.... If only she had the courage for
some desperate revolt, some outburst of strength--
"I am ready," she said faintly, turning from the glass, and moved
towards the door, while a young eunuch bent for her train, that
train of three yards length, which stretched so regally behind her
in her slow descent of the stairs.
In the French drawing-room below her father was waiting for the
ceremonial farewell, in which the father received the daughter's
thanks for all his care of her.
Mechanically Aimée advanced. She stood before him, she lifted her
eyes--and there passed from them a look of such strange, breathless,
questioning intensity that it was like something palpable.... She
had not foreseen this, sudden crisping of her nerves, this defiant
passion of her spirit....
Public-domain text, read in full here on John Shaqi.
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