Eye for eye he gave the general back his look. He had always
wondered about the poor devils in underground torture chambers. Had
wondered how they had the stuff to hold out, against such odds, for
some belief, some information.... Now he knew the stiffening stuff
of a personal hate, upholding to the very grave....
That sardonic, devil's face.... That face which was going back
upstairs to Aimée.... But he must not think of that or he should
give way and begin to babble, to plead.... He must simply stand and
meet that glance....
And there came the incredible, insane moment when Ryder looked out
on that face through one last breathing space, and then saw the
fitted brick, settled into place, blot the world to darkness before
his eyes.
CHAPTER XV
UNDERGROUND
Alone in the gloom of that strange room, Aimée sat rigid. Listening.
Not a sound, beyond the closed door, from the long drawing room. Not
a sound, beyond the other door, from the room where the slave,
Fatima, waited to assist in her disrobing.
Silence everywhere--save for a low lapping of water against the
masonry beneath her windows.
The palace was on the river, then, or on some old backwater. She
remembered glimpses of dark canals on her drive that morning--had it
only been that morning? The sound of that soft, hidden water added
to her feeling of isolation and remoteness from everything that had
been her life before--she thought fleetingly, almost indifferently
of her friends, Azima, who to-day had crowned her for happiness, and
fond, foolish old Miriam and Madame de Coulevain and Tewfick Pasha,
weakly cruel, but amiable; she thought of them all, as unreal
figures from whom she had long taken leave.
The old life was over. It had died for her when she passed through
the dark doorway and met that arrogant, sardonic, fatuous man, the
master of this palace....
Or more truly that old life had died for her when she had flung a
black mantle about her chiffon frock and a street veil across her
sparkling face and had stolen, daring and breathless, into the
lights and revelry of that hotel masquerade. There, when she had
shrunk back from the Harlequin and had looked up to meet the
kindling glance of that mask in tartans--yes, there, the old life
had died for her forever if only she had known it.
And now--she would only like to die, too, she thought miserably,
after she had been assured of Ryder's safety. She was tense with
fear for him, distrusting in every fiber the assurance of that
fanatic, outraged Turk.
She was not utterly resourceless. When Ryder's revolver had dropped
to the floor she had maneuvered, unseen by Hamdi Bey, to get her
train over it, and when she had stooped for her train her one free
hand had closed over the revolver handle beneath the satin and lace.
Public-domain text, read in full here on John Shaqi.
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