In the evening, preoccupied with his adventure, he endeavoured to
question aunt Dide. Perhaps she would know who this Miette was who had
such black eyes and such red lips. But, since she had lived in the
house in the alley, the old woman had never once given a look behind
the wall of the little yard. It was, to her, like an impassable
rampart, which shut off her past. She did not know—she did not want to
know—what there might now be on the other side of that wall, in that
old enclosure of the Fouques, where she had buried her love, her heart
and her flesh. As soon as Silvère began to question her she looked at
him with childish terror. Was he, then, going to stir up the ashes of
those days now dead and gone, and make her weep like her son Antoine
had done?
“I don’t know,” she said in a hasty voice; “I no longer go out, I never
see anybody.”
Silvère waited the morrow with considerable impatience. And as soon as
he got to his master’s workshop, he drew his fellow-workmen into
conversation. He did not say anything about his interview with Miette;
but spoke vaguely of a girl whom he had seen from a distance in the
Jas-Meiffren.
“Oh! that’s La Chantegreil!” cried one of the workmen.
There was no necessity for Silvère to question them further, for they
told him the story of the poacher Chantegreil and his daughter Miette,
with that unreasoning spite which is felt for social outcasts. The
girl, in particular, they treated in a foul manner; and the insulting
gibe of “daughter of a galley-slave” constantly rose to their lips like
an incontestable reason for condemning the poor, dear innocent creature
to eternal disgrace.
However, wheelwright Vian, an honest, worthy fellow, at last silenced
his men.
“Hold your tongues, you foul mouths!” he said, as he let fall the shaft
of a cart that he had been examining. “You ought to be ashamed of
yourselves for being so hard upon the child. I’ve seen her, the little
thing looks a very good girl. Besides, I’m told she doesn’t mind work,
and already does as much as any woman of thirty. There are some lazy
fellows here who aren’t a match for her. I hope, later on, that she’ll
get a good husband who’ll stop this evil talk.”
Silvère, who had been chilled by the workmen’s gross jests and insults,
felt tears rise to his eyes at the last words spoken by Vian. However,
he did not open his lips. He took up his hammer, which he had laid down
near him, and began with all his might to strike the nave of a wheel
which he was binding with iron.
In the evening, as soon as he had returned home from the workshop, he
ran to the wall and climbed upon it. He found Miette engaged upon the
same labour as the day before. He called her. She came to him, with her
smile of embarrassment, and the charming shyness of a child who from
infancy had grown up in tears.
“You’re La Chantegreil, aren’t you?” he asked her, abruptly.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account