for an instant, resting, out of breath and dripping with water; and
then she cried: “Once more; but you do it on purpose, you don’t hold
me.”
At the end of a fortnight, the girl was able to swim. With her limbs
moving freely, rocked by the stream, playing with it, she yielded form
and spirit alike to its soft motion, to the silence of the heavens, and
the dreaminess of the melancholy banks. As she and Silvère swam
noiselessly along, she seemed to see the foliage of both banks thicken
and hang over them, draping them round as with a huge curtain. When the
moon shone, its rays glided between the trunks of the trees, and
phantoms seemed to flit along the river-side in white robes. Miette
felt no nervousness, however, only an indefinable emotion as she
followed the play of the shadows. As she went onward with slower
motion, the calm water, which the moon converted into a bright mirror,
rippled at her approach like a silver-broidered cloth; eddies widened
and lost themselves amid the shadows of the banks, under the hanging
willow branches, whence issued weird, plashing sounds. At every stroke
she perceived recesses full of sound; dark cavities which she hastened
to pass by; clusters and rows of trees, whose sombre masses were
continually changing form, stretching forward and apparently following
her from the summit of the bank. And when she threw herself on her
back, the depths of the heavens affected her still more. From the
fields, from the distant horizon, which she could no longer see, a
solemn lingering strain, composed of all the sighs of the night, was
wafted to her.
She was not of a dreamy nature; it was physically, through the medium
of each of her senses, that she derived enjoyment from the sky, the
river, and the play of light and shadow. The river, in particular, bore
her along with endless caresses. When she swam against the current she
was delighted to feel the stream flow rapidly against her bosom and
limbs. She dipped herself in it yet more deeply, with the water
reaching to her lips, so that it might pass over her shoulders, and
envelop her, from chin to feet, with flying kisses. Then she would
float, languid and quiescent, on the surface, whilst the ripples glided
softly between her costume and her skin. And she would also roll over
in the still pools like a cat on a carpet; and swim from the luminous
patches where the moonbeams were bathing, to the dark water shaded by
the foliage, shivering the while, as though she had quitted a sunny
plain and then felt the cold from the boughs falling on her neck.
Public-domain text, read in full here on John Shaqi.
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