“I'll have a peep inside of these grounds, Stubber,” said the Duke, who, no longer attentive to the other, only followed out his own train of thought. At the same instant he dismounted, and, without giving himself any trouble about his horse, made straight for a small wicket which lay invitingly open in front of him. The narrow skirting of copse passed, the Duke at once found himself in the midst of a lovely garden, laid out with consummate skill and taste, and offering at intervals the most beautiful views of the surrounding scenery. Although much of what he beheld around him was the work of many years, there were abundant traces of innovation and improvement. Some of the statues were recently placed, and a small temple of Grecian architecture seemed to have been just restored. A heavy curtain hung across the doorway; drawing back which, the Duke entered what he at once perceived to be a sculptor's studio. Casts and models lay carelessly about, and a newly begun group stood enshrouded in the wetted drapery with which artists clothe their unfinished labors. No mean artist himself, the Duke examined critically the figures before him; nor was he long in perceiving that the artist had committed more than one fault in drawing and proportion. “This is amateur work,” said he to himself; “and yet not without cleverness, and a touch of genius too. Your dilettante scorns anatomy, and will not submit to drudgery; hence, here are muscles incorrectly developed, and their action ill expressed.” So saying, he sat down before the model, and taking up one of the tools at his side, began to correct some of the errors in the work. It was exactly the kind of task for which his skill adapted him. Too impatient and too discursive to accomplish anything of his own, he was admirably fitted to correct the faults of another, and so he worked away vigorously,--totally forgetting where he was, how he had come there, and as utterly oblivious of Stubber, whom he had left without. Growing more and more interested as he proceeded, he arose at length to take a better view of what he had done, and, standing some distance off, exclaimed aloud, “_Per Bacco!_ I have made a good thing of it--there 's life in it now!” “So indeed is there,” cried a gentle voice behind him; and, turning, he beheld a young and very beautiful girl, whose dress was covered by the loose blouse of a sculptor. “How I thank you for this!” said she, blushing deeply, as she courtesied before him. “I have had no teaching, and never till this moment knew how much I needed it.” “And this is your work, then?” said the Duke, who turned again towards the model. “Well, there is promise in it. There is even more. Still, you have hard labor before you, if you would be really an artist. There is a grammar in these things, and he who would speak the tongue must get over the declensions. I know but little myself--” “Oh, do not say so!” cried she, eagerly; “I feel that I am in a master's presence.”