The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'TooleMaxwell, W. H. (William Hamilton)
General
The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole
Maxwell, W. H. (William Hamilton)
Ireland -- Social life and customs -- 19th century -- Fiction
“I understand you, holy father,” returned the steward;--“money will be
necessary.”
“Money shall not be wanting,” said the Confessor. “This note
procrastinates, but does not avert the crisis.”
The steward nodded his head. “‘Tis a breathing-time, that shall not be
thrown away;--I’m off to London immediately.”
“Heaven speed thee!” said the monk; and the hand of God’s minister,
imprecating a blessing, was laid upon a wretch’s head whose avowed
embassy was--murder!
*****
To my humble counsellors, the keeper and the sergeant, I communicated
what we all considered the decided failure of my experiment. I resolved
to return direct to town--and a place was booked accordingly in the
stage. Another passenger accompanied me--and how different are the ends
which influence men’s actions! I hurried back to town to bask in the
smiles of my young and artless Isidora. The object of my _compagnon
du voyage_ was very opposite,--the gentleman was Mr. Morley; and his
embassy--nothing but to accomplish my assassination.
CHAPTER XX. A MEETING BETWEEN MEN OF BUSINESS.
“_What a dickens is the man always whimpering about murder for?
If business cannot be carried on without it, what would you have a
gentleman to do?” Beggars’ Opera._
|The scene has changed; and we must request the gentle reader to
accompany us into a close dark alley, with no thoroughfare connecting
it to the opener streets around, save two narrow and crooked passages
scarcely three feet wide. The houses are high and old-fashioned, and
front each other so closely, that from roof to roof an active man might
spring. Their general appearance betokens fear or wretchedness; for,
while some of the windows are so jealously blinded, as to prevent all
chance of _espionage_ from without, others are recklessly exposed to the
eye of the passenger, as if it were intended to display the extent of
the dirt and poverty within. The large brick dwelling at the bottom of
the court is curiously situated. At either gable, it opens by a side
door into one of the foul dark passages we have described; the front
is to the court; and the back abuts upon one of those small and
half-forgotten cemeteries, not larger than a modern drawing-room, which
may still be seen, studding here and there the more ancient portions of
that “mighty mass of wood, and brick, and mortar,” ycleped “the great
metropolis.”
Within this dwelling, there was a semblance of opulence that formed a
striking contrast to the squalid poverty that was perceptible in every
other building around it. The rooms were crowded with ill-assorted
furniture, and the walls covered with mirrors and pictures. On the
tables and mantelpiece, clocks, china, and fancy-ornaments were
incongruously heaped together; the whole looking liker a broker’s
store-room than the private dwelling of a man in trade. The place was a
receptacle for stolen property--or in thieves’ parlance, the house of “a
fence.”
Public-domain text, read in full here on John Shaqi.
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