The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'TooleMaxwell, W. H. (William Hamilton)
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The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole
Maxwell, W. H. (William Hamilton)
Ireland -- Social life and customs -- 19th century -- Fiction
The city of Quito was brilliantly illuminated; it was the anniversary of
its patron saint, and, in honour of their holy founder, the convent and
church of the Ursulines presented a spectacle of dazzling splendour.
The latter was lighted with a thousand tapers, and the great altar was
ornamented with all the monastic treasures which a devotee delights
to view. Crucifixes and sacred vessels, in gold and silver, and of
surpassing beauty, were liberally exhibited; while relics, in jewelled
cabinets, were on this, the high festival of Saint Ursula, brought from
their hallowed shrines, to delight the eyes and gladden the hearts
of the faithful. A long array of dignified ecclesiastics, in gorgeous
robes, filed in procession through the lofty aisles, while censors
blazed, and the pealing organ thundered forth its “jubilate.’” Within a
large extent round the city, all that was noble, wealthy, or religious,
on this her glorious anniversary, were assembled to do honour to their
fwourite saint,--while salvos of artillery from the ramparts, and the
rolling fire of _feu de joie_, rose at times above the choral swell,
adding to a religious pageant, the anomalous associations which a
battle-field and “heady fight” would give. To complete the effect of
this splendid spectacle, the proud, the brwe, the beautiful, followed
humbly in procession after monk and nun--the men bearing perfumed tapers
of coloured wax--while the women strewed flowers as they moved along
before the blessed relics of their sainted patroness.
Leaning against a pillar of the two, two personages of very different
appearance, viewed the procession with that interest it was so well
calculated to excite. One, from his quiet air and sober dress, seemed
a man engaged in some peaceful avocation; he might have been a notary, a
doctor, or a trader. The other, a young, tall, and handsome cavalier,
was richly attired in a fanciful costume; rapier and poignard were in an
embroidered belt; rings of costly workmanship glittered on his fingers,
and a jewel of exquisite brilliancy sparkled from the looping of his
richly-plumed hat. As the procession moved slowly on, the gay stranger
might hwe been overheard addressing his more sober companion, to inquire
who the actors in the passing scene might be; and while he bent his head
in differently as every succeeding relic passed, and bishop and mitred
abbot, one after another, defiled before him, the irreligious stranger
never asked their names.
“Yon stately man in the rich cope and alb is the holy prior of San
Augustin;--he exorcises devils----”
The gay foreigner impatiently interrupted his soberer companion. “Hang
the fat prior!--we have no devils to be exorcised.”
“And see, yonder thin black priest--he is the canon of San Roque,--the
best preacher that ever mounted pulpit.”
“There leave him, my good friend,--I hate the drowsy race. Ha!--Who is
that noble-looking person in the green uniform faced with gold?”
Public-domain text, read in full here on John Shaqi.
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