The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'TooleMaxwell, W. H. (William Hamilton)
General
The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole
Maxwell, W. H. (William Hamilton)
Ireland -- Social life and customs -- 19th century -- Fiction
The male traveller’s dingy black frock had once seen better days, and
his buff vest and nankeen unmentionables would have been all the better
for a visit to the laundress. His hat was of that order denominated
“shocking bad,” while it seemed doubtful that his boots would bear him
to the end of his journey, and if they did, it would be by an expiring
effort with which their history must close. His complexion was sallow,
his features large, his whiskers black and bushy, he looked a dirty Jew;
and certainly, “take him for all in all,” he was not the sort of person
whom a gentleman would borrow money to entertain.
In every particular the girl was unlike her companion. She was pretty,
tall, fair, and well formed. Her costume--a collection of faded
finery--was tolerably clean; and, poverty apart, her air and address
were those of one who had once moved in a different sphere, and,
to judge by appearances, of one also, upon whom fortune had frowned
severely.
On both sides some civilities were interchanged; and to an inquiry from
the fosterer as to where entertainment and lodgings could be found, the
man pointed out a solitary house at the distance of a mile, intimating
that it was a carman’s stage held by travellers in high estimation. It
was moreover kept by a buxom widow, and denominated.
[Illustration: 0090]
The ice once broken, the dark gentleman became very communicative.
“If you want good fare, prime whisky, and a sound snooze, the Cock’s
your place, sir. The landlady’s a trump, parlour snug, and not a flea if
you searched the beds for a fortnight. Come, my love,” and he addressed
his fair companion, who frowned an angry answer to this term of
endearment,--“you and I are for the same crib, and we’ll give this
gentleman our company.”
The stroller spoke with the volubility of an auctioneer, and thus
continued:--
“This lady, sir, is my sister,--Miss Julia Montague. We are both
professional,--known extensively in the dramatic world,--I, in the
comic line--and Julia, in the musical. Bad spec at Granard--manager
an ass,--played tragedy to please his swivel-eyed wife,--she
Desdemona!--she be forked,--house didn’t draw money to pay
candles,--manager, calls himself Mortimer, right name Malowney, bolted
with any blunt there was--left the company without a _tanner_, and
obliged July and myself to travel here _tandem_,--one leg before the
other. Better luck again,--we’ll both be on the boards of Crow-street
before Christmas--eh, July?”
When the Jew had named the connexion between himself and the wandering
melodist, Mark Antony’s incredulous stare was returned by a look
of contempt directed by the lady at her companion, which disclaimed
relationship altogether; and a trifling incident ended the attempt at
imposition.
Public-domain text, read in full here on John Shaqi.
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