The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
The explosion of this matrimonial bomb so cleared the air of all doubt
as to the guilt of Mrs. Van Tassell, that a secret meeting, attended by
every member of the Skylarks, was at once held in Waller's room with
the result that Miss Ann's invitations to the wedding were unanimously
accepted. Not only would the resident members go--so the original
resolution ran--but the non-resident and outside members would also be
on hand to do honor to Miss Euphemia and her distinguished chaperone.
This amendment being accepted, McFudd announced in a sepulchral tone
that, owing to the severity of the calamity and to the peculiarly
painful circumstances which surrounded their esteemed fellow-skylarker,
the Honorable Sylvester Ruffle-shirt Tomlins, his fellow-members would
wear crape on their left arms for thirty days. This also was carried
unanimously, every man except Ruffle-shirt Tomlins breaking out into
the "Dead Man's Chorus"--a song, McFudd explained, admirably fitted to
the occasion.
When the auspicious night arrived, the several dress-suits of the
members were duly laid out on the piano and hung over the chairs, and
each gentleman proceeded to array himself in costume befitting the
occasion. Waller, who weighed 200 pounds, squeezed himself into
McFudd's coat and trousers (McFudd weighed 150), the trousers reaching
a little below the painter's knees. McFudd wrapped Waller's coat about
his thin girth and turned up the bagging legs, of the unmentionables
six inches above his shoes. The assorted costumes of the other members
were equally grotesque. The habiliments themselves were of proper cut
and make, according to the standards of the time--spike-tailed coats,
white ties, patent-leather pumps, and the customary trimmings, but the
effects produced were as ludicrous as they were incongruous, though the
studied bearing of the gentlemen was meant to prove their
unconsciousness of the fact.
The astonishment that rested on Mrs. Van Tassell's face when this
motley group filed into the parlor and with marked and punctilious
deference paid their respects to the bride, and the wrath that flashed
in Miss Euphemia's eyes, became ever after part of the traditions of
the club. Despite Mrs. Van Tassell's protest against the uproar on the
top floor, she had invariably spoken in high terms to her friends and
intimates of these very boarders--their acquaintance was really part of
her social capital--commenting at the same time upon their exalted
social and artistic positions. In fact, many of her own special guests
had attended the wedding solely in the hope of being brought into more
intimate relations with this distinguished group of painters, editors,
and musicians, some of whom were already being talked about.
Public-domain text, read in full here on John Shaqi.
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