The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
What attracted him most of all in this woman who had violated all the
known traditions of Kennedy Square, was a certain fearlessness of
manner--an independence, a perfect ingenuousness, and a freedom from
any desire to interest the students in herself. When she looked at any
one of them, it was never from under drooping eyelids, as Sue would
have done, nor with that coquettish, alluring glance to which he had
always been accustomed. She looked straight at them with unflinching
eyes that said, "I can trust you, and WILL." He had never seen exactly
that look except in the portrait of his uncle's grandmother by Sir
Peter Lely--the picture he had always loved. Strange to say, too, the
eyes of the portrait were Margaret's eyes, and so was the color of the
hair.
No vexed problems entered Margaret's head regarding the very engaging
young gentleman who sat behind HER stool. He merely represented to her
another student--that was all; the little band was small enough, and
she was glad to see the new ones come. She noticed, it is true, certain
unmistakable differences--a peculiar, soft cadence in his voice as the
words slipped from his lips without their final g's; a certain
deference to herself--standing until she regained her seat, an
attention which she attributed at first to embarrassment over his new
surroundings and to his desire to please. She noticed, too, a certain
grace in his movements--a grace that attracted her, especially in the
way with which he used his hands, and in the way in which he threw his
head up when he laughed; but even these differences ceased to interest
her after the first night of their meeting.
But it did not occur to her that he came from any different stock than
the others about her, or that his blood might or might not be a shade
bluer than her own. What had really impressed her more than anything
else--and this only flashed into her mind while she was looking in the
glass one night at her own--were his big white teeth, white as grains
of corn, and the cleanliness of his hands and nails. She liked these
things about him. Some of the fingers that rested on her drawing-board
were often more like clothes-pins than fingers, and shocked her not a
little; some, too, were stained with acids, and one or more with
printer's ink that no soap could remove.
Before the evening was over Oliver became one of the class-room
appointments--a young man who sat one stool behind her and was doing
fairly well with his first attempt, and who would some day be able to
make a creditable drawing if he had patience and application.
Public-domain text, read in full here on John Shaqi.
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