The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
Neither of them supposed that it was anything else but the grief of
parting that afflicted them, until there came a memorable autumn
night--a night that sometimes comes to the blessed!--when the moon swam
in the wide sky, breasting the soft white clouds, and when Oliver and
Margaret sat together on the porch of Mrs. Taft's cottage--he on the
steps at her feet, she leaning against the railing, the moonlight full
upon her face.
They had been there since sunset. They had known all day what was in
each other's mind, but they had avoided discussing it. Now they must
face it.
"You go to-morrow, Madge?" Oliver asked. He knew she did. He spoke as
if announcing a fact.
"Yes."
The shrill cry of a loon, like the cry of a child in pain, sifted down
the ravine from the lake above and died away among the pines soughing
in the night-wind. Oliver paused for a moment to listen, and went on:
"I don't want you to go. I don't know what I am going to do without
you, Madge," he said with a long indrawn sigh.
"You are coming to us at Brookfield, you know, on your way back to New
York. That is some thing." She glanced at him with a slightly anxious
look in her eyes, as if waiting for his answer to reassure her.
He rose from his seat and began pacing the gravel. Now and then he
would stop, flick a pebble from its bed with his foot, and walk on. She
heard the sound of his steps, but she did not look at him, even when he
stopped abruptly in front of her.
"Yes, I know, but--that will only make it worse." He was leaning over
her now, one foot on the steps. "It tears me all to pieces when I think
this is our last night. We've had such a good time all summer. You
don't want to go home, do you?"
"No--I'd rather stay." The words came slowly, as if it gave her pain to
utter them.
"Well--stay, then," he answered with some animation. "What difference
does a few days makes? Let us have another week. We haven't been over
to Bog Eddy yet; please stay, Madge."
"No, I must go, Ollie."
"But we'll be so happy, little girl."
"Life is not only being happy, Ollie. It's very real sometimes. It is
to me--" and a faint sigh escaped her.
"Well, but why make it real to-morrow? Let us make it real next week,
not now."
"It would be just as hard for you next week. Why postpone it?" She was
looking at him now, watching his face closely.
Her answer seemed to hurt him. With an impatient gesture he
straightened himself, turned as if to resume his walk, and then,
pushing away the end of her skirt, sat down beside her.
"I don't understand your theories, Madge, and I'm not going to discuss
them. I don't want to talk of any such things; I'm too unhappy
to-night. When I look ahead and think that if the Academy should not
open, you wouldn't come back at all, and that I might not see you for
months, I'm all broken up. What am I going to do without you, Madge?"
His voice was quivering, and a note of pain ran through it.
Public-domain text, read in full here on John Shaqi.
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