The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
The young man quickened his pace, stopped long enough to hang the
scythe on the porch-rail, lifted his hat from his head, and, running up
the short flight of steps, held out his hand cordially to Oliver, who
advanced to meet him.
"Glad to see you, Mr. Horn. Madge has told us all about you. Excuse my
rig--we are short of men on the farm, and I took hold. I'm glad of the
chance, for I get precious little exercise since I left college. You
came from East Branch by morning stage, I suppose? Oh, is that your
trunk dumped out in the road? What a duffer I was not to know. Wait a
minute--I'll bring it in," and he sprang down the steps.
"No, let me," cried Oliver, running after him. He had not thought of
his trunk since he had helped stow it in the boot outside Ezra
Pollard's gate--but then he had been on his way to Margaret's!
"No, you won't. Stay where you are--don't let him come, Madge."
The two young men raced down the path, Juno scampering after them.
John, who could outrun any man at Dartmouth, vaulted over the fence and
had hold of the brass handle before Oliver could open the gate.
"Fair-play!" cried Oliver, and they each grasped a handle--either one
could have held it out at arm's length with one hand--and brought it up
the garden-path, puffing away in pantomime as if it weighed a ton, and
into the house. There they deposited it in the bedroom that was to be
Oliver's during the two days of his visit at Brookfield Farm, Margaret
clapping her hands in high glee, and her mother holding back the door
for them to pass in.
Silas Grant watched the young fellows until they disappeared inside the
door, lifted himself slowly from his seat by his long arms, stretched
himself, with a yawn, to his full height, and said aloud to himself as
he pushed his chair back against the wall:
"His father's got a negro for body-servant, has he, and a negro for
butler--just like 'em. They all want somebody to wait on 'em."
At dinner Oliver sat on Mrs. Grant's right--her best ear, she
said--Margaret next, and John opposite. The father was at the foot, in
charge of the carving-knife.
During the pauses in the talk Oliver's eyes wandered around the room,
falling on the queer paper lining the walls--hunting-scenes, with
red-coated fox-hunters leaping five-barred gates; on the side-board
covered with silver, but bare of a decanter--only a pitcher filled with
cider which Hopeful Prime, the servant, a woman of forty in spectacles,
and who took part in the conversation, brought from the cellar; and
finally on a family portrait that hung above the fireplace. A portrait
was always a loadstone to Oliver.
Mrs. Grant had been watching his glance.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account